Establishment Band Burgerkill
brgrkll
Burgerkill is a Hardcore Metal band from Bandung city. The
band's name is taken from a fast food restaurant's name from America,
namely Burger King, which by then they parodied into "Burgerkill".
Burgerkill established in May 1995 started from Eben, a guitarist who moved to Bandung to Jakarta to continue his schooling. Of the schools that met with Ivan Eben, Kimung, and Dadan as its first line-up. This
band started out as a side project, just a bunch of kids jamming Their
metal ax-hard while waiting to call original band gig. But
not for Eben, he felt that this band is his life and tried to think
hard in order Burgerkill can be recognized in their communities.
When
they got the job a lot more gigs in Jakarta through the connection of
friends Hardcore Eben, from there the underground community's enthusiasm
for Burgerkill loud music started and the phenomenon has unwittingly
born in Indonesia. As
a result the initial line-up of this band did not go smoothly, a list
of names had entered the ranks of underground musicians Burgerkill
member until he finally reached the solid line-up today.
When
they managed to release his first single by Richard Mutter underground
phenomenon who released a compilation cd Bandung underground bands in
early 1997. Other
names such as Full Of Hate, Puppen, and Cherry Bombshell is also
entrenched in the compilation entitled "masaindahbangetsekalipisan" is. It is beautiful this time the music underground. Everything is new and new Things stoked people! Revolt song! Burgerkill opening of a number on the album sold 1000 copies in a short time. In late 1997 they again took part in the compilation of "Breathless" by including the song "Offered Sucks" in it.
Early
in 1998 the journey continues with the release of their single
Proudness Blank, the compilation Grindcore bands Ujungberung titled
"Independent Rebel". That when it is released by all the major labels with wide distribution in Indonesia and also in Malaysia. After that more and more decorating Burgerkill name concert flyers around the underground music community. More and more fans are waiting for their presence on stage. Burgerkill Begundal the Hardcore!
In
early 1999, they received offers from independent record companies of
Malaysia, Wild Child Records who released the album ends with a deal
with Split Three Ways Infireal band (Malaysia) and Watch It Fall
(France). Relationship with the underground network in Malaysia and Singapore continued to the present. Zine
subscriptions cover Burgerkill be independent in those countries
affected by the continued increase and their fans from the neighbor
country.
In
2000, Burgerkill finally managed to release their debut album with the
title "Two Sides" and the tapes in 5000 print by the indie label from
Bandung, Riotic devoured Records sold out fans who can not wait for a
long time. In
the same year, the band also released the single "Everlasting Hope
Never Ending Pain" by compiling "Ticket To Ride", an album that benefits
are donated for the construction of a skatepark in the city of Bandung.
Some
Mainstream Achievement also had their feel, one of which was nominated
Best Independent Band NewsMusik style magazine in 2000. Early
in 2001 they were managed in cooperation with a sports apparel company
American product: the Puma support for 1 year each time Burgerkill do
the gig. And since October 2002 a clothing products from Australia who also support bernamaINSIGHT in each of their appearance.
A
surprise comes in the middle of 2004, through the album "Rustic"
Burgerkill into one of the nominees in one of the biggest musical event
in Indonesia Achievement "Awards Ami". And surprisingly they successfully won the annual award for the category of "Best Metal Production". A
feat that may never have occurred to them, and for them it is a great
responsibility they have to prove through their work further.
Finally they agreed to release the third album "Beyond Coma And Despair" under their own label Revolt! Records in mid-August 2006. The
third album has a very deep meaning for all personnel Burgerkill both
sound, structure, and what they contributed music format is very
different from the two previous albums. The material is more severe, strict, technical, and dare they contributed to its maximum in each track.
But
there was no ivory that is not broken, the biggest disaster in the
course of their career was inevitable, the vocalist Ivan finally
breathed his last breath in the middle of the process of launching their
new album at the end of July 2006. Inflammation of the brain has claimed the lives of a community icon loud music in Indonesia. Without
realizing all the lyrics on this album Ivan seems to indicate the
condition of Ivan the time, comes the story of personal and depressive
traveling in disguise as a sign of the end of his life.
Finally, after passing the Vocal Auditions, Vicki as they find a new frontman for the next stage in their career. And
in early January 2007 they have successfully held a series of tours in
major cities in Java and Bali in order to promote their new album.
Targets
sales of tickets in every city they visited was always able to
penetrate, and also ludesnya ticket sales in several cities indicate the
amount of public enthusiasm for rock music in Indonesia against
Burgerkill appearance.
Selasa, 22 Mei 2012
BACKGROUND END Berung RebelsRebels ujungberung zine2 on May 5, '08 11:51 AMfor all
DI-ZINE ZINE UJUNGBERUNG Rebels
One indicator of a community is measured dpt dr existence zine as one of the tools of information and communication among and between communities. Exploring the dynamics of community development dpt dr SGL who preached in the zine, either journalism or the nature of discourse and history.
In Ujungberung Rebels (hereinafter Uberebels), within the past 12 years there were at least 9 units which record the dynamics of the zine scene. Zine2 TSB is Revograms (1995-1997), Ujungberung Update (1998-1999), Loud n 'Freaks (1999), Crypt of the Abyss (1999), The Evening Sun (1999), Rottrevore Magz (1999-2004), New Noise (2000-2003), MinorBacaanKecil (2003 - ...), and Totalokal (2005 - ...).
Revograms
Revograms always disebut2 as the first zine underground music scene in Indonesia. Zine was conceived as a manifestation Dinan Extreme Grinding Noise, other than as a mouthpiece of propaganda event jg Bandung noisy I.Revograms # 1 published in March 1995. Cover image Dinan hand, surrounded by a snake monster face tengkorak2 & wajah2 who tormented souls around him. Underneath is written dr rugos: Underground Total Local Info. This issue of who worked on the editorial team consisting of Ivan, Kimung, Dani, Dadan, Agus, Yayat & Billy. Ivan, the team was named the Chief Editor Tim Krucil Revograms. Dinan, editor, overseeing the team, jg-line advertising (Agus), product sales (Ipunk & Yayat), image editor (Sule) and contributors (Kang & Kang Salah Bey). Editorial headquarters in Jalan Hospital No.72 distibusi Ujungberung and headquarters in Jackson Photo Studio, Jl. Ujungberung highway No.118. Under Revograms crew information, drawing comics young Ivan metal mengacungan 2 finger peace symbol, with the words "No posers! No Drugs! No Violence, Peace & Get a Better Life! "
Revograms # 1 contains nine sections: "Graveyard Sound" (editorial introduction), "The Intruder" (interview), "Live Review" (coverage), "Cartoon Crew" (comic), "Black Isssue" (info band2 abroad) "Minded Mania" (info band2 local), and "Dealer" (column ads with the cost of silver per-ad 1000). Revograms Vol.1 closed by the back-cover propaganda ENG merchandise. This edition is 98% workmanship handmade collages. Editorial introduction and live reviews actually handwritten by Ivan. Foto2 & articles dilayout who typed and print with scissors-and-paste system on a black background, hlmn foreign horror magazine, or paper with hand Dinan.
Revograms # 2 published in July 1995. On-line editor, is now accompanied Yayat Dinan, Dani (treasurer), Kang & Kang Salah Bey (contributor), advertising (Agus), image editor (Sule), while the editorial team is now Ivan, Ipunk, Billy & Georgy. Produk2 ENG Co. merchandise handled. And distribution are handled Palapa Studio. Revograms # 2 msh contain the same column, with the addition of a rubric ENG, Quiz & Demo Tape Promotion. Morbidly creative process is much different. Scissors-and-paste collage still.
In issue # 4, Revograms Graveyard Productions together with his Mas Harry Surabaya, published in July 1997 Bandung Prev bbrp time Noisy II. This performance jg Dinan who became the main focus with noisy display advertisements Bandung II who provocatively on the front page and center. Dr ad page, which looks bgmn ENG has menggurita synergies with other communities throughout Indonesia. This synergy is reinforced with the loading of information Most Wanted Distributors underground metal music in Bandung, Jakarta, Surabaya, Malang, Yogyakarta and Bali. This network, in addition to covering the circulation of band merchandise, music event jg cooperation and sharing of information and communication media. In this edition of Dinan is now handling all alone, aided only Mas Harry dr Surabaya. Dinan even working on the production Revograms # June 4, 1997 in Surabaya. Jg Revograms he moved to his home address at Jl. I work Riung Juang Bandung 12 40 295.
Revograms # 4 divided without rubrikasi, just write down a list of discussion and coverage. He was to review the band Rotten Corpse, Retribeauty, Trauma, Anti Septeic & Step Forward, interviewed Burgerkill, meresensi kaset2 Forgotten, Grausig, Rotten Corpse, perish, Eternal Madness, Turtles Jr., Write an essay on the history of Ujungberung within the article "East London Most Wanted" , as well as displaying a reaction musicians from cities in Indonesia for defamation contained large media Tabloid Justice that includes news about Satanism among the musicians underground Indonesia. He jg poster2 displaying propaganda, which is mainly associated with noisy Bandung II. At the end of the essay "East London Most Wanted", Dinan wrote the fighting spirit of the underground music community Ujungberung frontman:
"Community of East London underground People who live under the general social standards do not make them complain over time. People like Yayat (bodies), Amank (Embalmed), Andries (Sonic Torment), Ara (Naked Truth), and Addi (Forgotten), they are the ones who tirelessly continue to try & work devoted his entire life to music & the world community under the London underground. they are not the first and best, but they believe that they do not want to be the last one ... How about you? "
Ujungberung Update
Update Ujungberung initiated Gembel Addy, Amenk & Sule. Updates are made as a propaganda mouthpiece shaped compilation Ujungberung selembaran Rebels & A3. When published in June 1998, Update # 1 LSG beat with social criticism and to condition the monetary crisis bgt many opportunistic politicians, artists, musicians, etc. who for no more in anak2 Uberebels saviors who just mere posing. Essays written Gembel Addy's return value2 & jg memepertanyakan a powerful commitment within kutur underground music as well as introductory concepts & prinsip2 Rebels Ujungberung community. At the end of the discourse, introduced the 14 band Ujungberung Gembel Rebels, namely Burgerkill, Impure, Dining Out, Disinfected, Restless, The body, The Cruels, naked Truth, Lies Disorder, Sacrilegious, Suffer Remains, Beside, Forgotten, bastard, and the Extreme Right. In the next hlmn Update contains two sections, namely the "MUTE" (Brutal Ujungberung Celebrity Issue), and "Rebel Attitude". Both are among anak2 Ujungberung gossip columns. These last two columns of fame with the title "Gogon" or "gossip-gossip Underground."
In the second edition, March 1999, Gembel beat back the order of thought with the community
Intro to "Man Condemned for Free.", A propaganda others decide for themselves about how to live while highlighting the band's commercial seal to band2 Uberebels just because mrk charge to event organizers on behalf of penyeleggara who make their own slogan: "Support Your Local Underground Bands! "In the back hlmn, Gembel To publish his love letters" Love Letters Homeless Crew ", the introduction of felicitous essence of existence underground attitude, sgala opposition and the complexity of social relationships with many communities, up to the most personal relationships: romance.
Loud n 'Freaks
Loud n Freaks initiated Burgerkill Toto (editor), Feby Balcony (design), & Pam Runtah (contributor). This is a particular fan of hardcore zine & load INFO2 about hardcore and life style with headquarters on Jl. Golf D2/1B Cisaranten Ujungberung .. Issue # 1 published in January 1999 with Core section (editorial), Essay2 (there are four "Underground back to the Do It Yourself", "Do not Use Gratuitous XXX", "Anarchy Does It Exist in the Republic of Indonesia", and "Borok Attitude Should Still Considered low "), World Wide Hardcore Scene (info hardcore scene of the world), interview (Forgotten, Savor of Filth, Turtles Jr., Reports Show, London Underground Info, Review Band (Take A Stand & Disinfected) Music Review (Balcony, Coretex , Friday 13th, Forgotten, Grill Salmon, Impious, Bars, Eternal, Naked Truth, Noin Bullet, Turtles Jr.) Review fanzine (Thirteen # 1, Pangcore # 3 & 4, Over the Edge # 9, Revolted # 1, The Kan Du # 1, In Effect, International Straight Edge Bulletin, Reflection, Lion City Skins, Neptune), and Ending. In Ending, Toto wrote: "We really want to keep this fanzine that we will get back to work for an upcoming issue. Hopefully we do not get a lot of significant problems and can quickly see all of you. You guys are full and enthusiastic support, wait no more ... Labels, distros, bands, individuals, or anyone, expected contribution. See you ... "Loud n 'Freaks are only last one published yet, but the placement of the structure of the initiators rubrikasi equalizes the local scene and the global scene.
Crypt of the Abyss
Crypt of the Abyss initiated Sacrilegious Opik, contains INFO2 black metal. In the first edition without a protective screen to open the Crypt by Opik aling2 What the Hell Inside this Isuue (content), an Introduction (introduction with illustrations porn star Asia Carerra) and the Enlightment. Crypt reviewing the band Incantation, Arcanum (local), Celestral (local), Point Blank (local), Politics Virus (local), Vile Intent, The body (local), conceal, and Nocturnal Orchestra (local). From this set we know if pd is loading rubrikasi review the band was out of state boundaries. Everything is getting melted and local band2 was considered parallel to band2 abroad.
For support of the local music scene, a rubric Disorderly Cryp Trunks of Unusually Crypt Tempest, reviewing the band The Abyss, Marduk, Disinfected, Decay, Sacrilegious, Amalthea, va Brutally Sickness Vol.2, Forgotten, Victim of Rage, Injected Sufferage, Naked Truth , Sepultura, Motorcycle Death, Unseen Darkness, Embalmer, Dimmu Borgir, and va Death is Just the Beginning Vol.4. Crypt jg-zine review zine includes local as Morbid Noise Zine & Guerrilla Underground fanzine, in addition to advertise The Evening Sun.
For news, Crypt had a rubric News, Whole Sale Price List June-July 1999 Focflame London Records, and the Rebels Ujungberung Scene Report which contains the latest kabar2 anak2 Uberrebels. Crypt also contains advertisements Rebel Sound & Rebelliondgn merchandise production Burgerkill Every Mother's Nightmare and Everything Sucks, Disinfected Within Subsconcious logo and Mind, and the Forgotten Dead Obsession.
The Evening Sun
The first gothic magazine in Indonesia that digagasDani, one of the pioneers Uberebels, drummer and founding body of gothic band, Restless. The Evening Sun ran an article on the history of gothic, music, goth scene locally and abroad, and its development now. Within Temptation features interviews, pilori, a review of the Theater Tragedy, Sirrah, and all sorts of pergothikan. The Evening Sun is only one published in October 1999.
Rottrevore Magz
Rottrevore is in the Uberebels tergaya magazine. This zine satu2nya repousse with good quality. Rotrevore initiated Ferly, Rio, and Andre. Rottrevoe also be referred to as the best underground metal zine ever in Indonesia both in the layout and in content. Raised more in-depth discourse relaxed, but do not reduce kegaharan a metal zine should be. Rottrevore always use scrap paper, and in siniliah rebellion there. As a zine in favor of underground music, Rottrevore does best.
New Noise
After Loud n Freaks do not walk, Toto collaborate with Eben to publish a zine hardcore, metal, and punks. Zine they both are New Noise, featuring the latest news about the metal scene, hardcore, and punk. New Noise is published five times during 2000 to 2003. The format is much better than-zine zine that has been published. Dilayout by Eben in Adobe Photoshop and CorelDraw.
MinorBacaanKecil
Minor further MinorBacaanKecil-it-in fact morbidly Uberebels intersect with LSG, but made o / Kimung who incidentally Uberebels great. Minor made in 2003 by Norvan, Kimung, Congor, Popup, Danive, Hana, Nyda, and Sundea in the State in the Clouds, Literature Unpad. After the ninth edition of the Minor tangent to Uberebels then, when the load Ujungberung Minor Update as a regular column. This loading is one effort to support the publication of an eye Minor Panceg Dina Path: Rebels Ujungberung Kimung that will be written and published Gembel Addy & Minor Books, 2008. Previously, Uberebels could also synergize with Minor through his publishing wing, Minor Books. Minor Books published her debut collection of short stories with Addy works Gembel, Minor Books August 14, 2004. The most updated and phenomenal, of course, book publishing Myself: Beyond Life and Death Scumbag, a biography of Ivan Scumbag Minor works published Kimung Books, 11 November 2007.
Totalokal
Totalokal initiated by Pei, Aas, and Asmo since February 2007, as a manifestation of the propaganda "Never Grow Up" was initiated Distribute. His first edition of lifting the title Totalokal Listen to the Children. Highlight a section Totalokal Band, in the first issue includes reviews and interviews Bedaxsaripohacy Pitfall. Totalokal then started their propaganda with desain2 merchandise merchandise for babies & anak2, all products and Distrubute Parental Advisory. But soon advertise, Totalokal immediately hit with Issue: "Against Human Trafficking" and the essay
"NGU # 4 the Newsletter on Children's Behalf: What's Beyond Growing Up" is an introductory propaganda Never Grow Up. Totalokal # 1 also includes a hotspot of art in London, Window Ideas Kids Percussion and sk8par children, The Neverlands, in front of the headquarters Distribute, Baranangsiang, Kosambi, Bandung.
In another edition, published in February 2008, Totalokal A Never Grow Up Zine present to address the tragedy of the AACC and become one of the widely read information other than Minor. Totalokal be one of fund raising as well as media propaganda condolences & scrolling discourse about the subculture "underground." This edition contains information Totalokal jg Adikaka Foundation, The Neverlands, local bomber Kiddy interview, essay "History of Graffiti 1960-1980", a review: D 'Army, Rabies, Koil, Burgerkill, Superabundance, and a book by Kimung, Myself Scumbag Beyond Life and Death, Minor Books, November 2007, and reportage National Skateboarding Championship in 2007, Margo City, Depok, 25 Nov 2007.
DI-ZINE ZINE UJUNGBERUNG Rebels
One indicator of a community is measured dpt dr existence zine as one of the tools of information and communication among and between communities. Exploring the dynamics of community development dpt dr SGL who preached in the zine, either journalism or the nature of discourse and history.
In Ujungberung Rebels (hereinafter Uberebels), within the past 12 years there were at least 9 units which record the dynamics of the zine scene. Zine2 TSB is Revograms (1995-1997), Ujungberung Update (1998-1999), Loud n 'Freaks (1999), Crypt of the Abyss (1999), The Evening Sun (1999), Rottrevore Magz (1999-2004), New Noise (2000-2003), MinorBacaanKecil (2003 - ...), and Totalokal (2005 - ...).
Revograms
Revograms always disebut2 as the first zine underground music scene in Indonesia. Zine was conceived as a manifestation Dinan Extreme Grinding Noise, other than as a mouthpiece of propaganda event jg Bandung noisy I.Revograms # 1 published in March 1995. Cover image Dinan hand, surrounded by a snake monster face tengkorak2 & wajah2 who tormented souls around him. Underneath is written dr rugos: Underground Total Local Info. This issue of who worked on the editorial team consisting of Ivan, Kimung, Dani, Dadan, Agus, Yayat & Billy. Ivan, the team was named the Chief Editor Tim Krucil Revograms. Dinan, editor, overseeing the team, jg-line advertising (Agus), product sales (Ipunk & Yayat), image editor (Sule) and contributors (Kang & Kang Salah Bey). Editorial headquarters in Jalan Hospital No.72 distibusi Ujungberung and headquarters in Jackson Photo Studio, Jl. Ujungberung highway No.118. Under Revograms crew information, drawing comics young Ivan metal mengacungan 2 finger peace symbol, with the words "No posers! No Drugs! No Violence, Peace & Get a Better Life! "
Revograms # 1 contains nine sections: "Graveyard Sound" (editorial introduction), "The Intruder" (interview), "Live Review" (coverage), "Cartoon Crew" (comic), "Black Isssue" (info band2 abroad) "Minded Mania" (info band2 local), and "Dealer" (column ads with the cost of silver per-ad 1000). Revograms Vol.1 closed by the back-cover propaganda ENG merchandise. This edition is 98% workmanship handmade collages. Editorial introduction and live reviews actually handwritten by Ivan. Foto2 & articles dilayout who typed and print with scissors-and-paste system on a black background, hlmn foreign horror magazine, or paper with hand Dinan.
Revograms # 2 published in July 1995. On-line editor, is now accompanied Yayat Dinan, Dani (treasurer), Kang & Kang Salah Bey (contributor), advertising (Agus), image editor (Sule), while the editorial team is now Ivan, Ipunk, Billy & Georgy. Produk2 ENG Co. merchandise handled. And distribution are handled Palapa Studio. Revograms # 2 msh contain the same column, with the addition of a rubric ENG, Quiz & Demo Tape Promotion. Morbidly creative process is much different. Scissors-and-paste collage still.
In issue # 4, Revograms Graveyard Productions together with his Mas Harry Surabaya, published in July 1997 Bandung Prev bbrp time Noisy II. This performance jg Dinan who became the main focus with noisy display advertisements Bandung II who provocatively on the front page and center. Dr ad page, which looks bgmn ENG has menggurita synergies with other communities throughout Indonesia. This synergy is reinforced with the loading of information Most Wanted Distributors underground metal music in Bandung, Jakarta, Surabaya, Malang, Yogyakarta and Bali. This network, in addition to covering the circulation of band merchandise, music event jg cooperation and sharing of information and communication media. In this edition of Dinan is now handling all alone, aided only Mas Harry dr Surabaya. Dinan even working on the production Revograms # June 4, 1997 in Surabaya. Jg Revograms he moved to his home address at Jl. I work Riung Juang Bandung 12 40 295.
Revograms # 4 divided without rubrikasi, just write down a list of discussion and coverage. He was to review the band Rotten Corpse, Retribeauty, Trauma, Anti Septeic & Step Forward, interviewed Burgerkill, meresensi kaset2 Forgotten, Grausig, Rotten Corpse, perish, Eternal Madness, Turtles Jr., Write an essay on the history of Ujungberung within the article "East London Most Wanted" , as well as displaying a reaction musicians from cities in Indonesia for defamation contained large media Tabloid Justice that includes news about Satanism among the musicians underground Indonesia. He jg poster2 displaying propaganda, which is mainly associated with noisy Bandung II. At the end of the essay "East London Most Wanted", Dinan wrote the fighting spirit of the underground music community Ujungberung frontman:
"Community of East London underground People who live under the general social standards do not make them complain over time. People like Yayat (bodies), Amank (Embalmed), Andries (Sonic Torment), Ara (Naked Truth), and Addi (Forgotten), they are the ones who tirelessly continue to try & work devoted his entire life to music & the world community under the London underground. they are not the first and best, but they believe that they do not want to be the last one ... How about you? "
Ujungberung Update
Update Ujungberung initiated Gembel Addy, Amenk & Sule. Updates are made as a propaganda mouthpiece shaped compilation Ujungberung selembaran Rebels & A3. When published in June 1998, Update # 1 LSG beat with social criticism and to condition the monetary crisis bgt many opportunistic politicians, artists, musicians, etc. who for no more in anak2 Uberebels saviors who just mere posing. Essays written Gembel Addy's return value2 & jg memepertanyakan a powerful commitment within kutur underground music as well as introductory concepts & prinsip2 Rebels Ujungberung community. At the end of the discourse, introduced the 14 band Ujungberung Gembel Rebels, namely Burgerkill, Impure, Dining Out, Disinfected, Restless, The body, The Cruels, naked Truth, Lies Disorder, Sacrilegious, Suffer Remains, Beside, Forgotten, bastard, and the Extreme Right. In the next hlmn Update contains two sections, namely the "MUTE" (Brutal Ujungberung Celebrity Issue), and "Rebel Attitude". Both are among anak2 Ujungberung gossip columns. These last two columns of fame with the title "Gogon" or "gossip-gossip Underground."
In the second edition, March 1999, Gembel beat back the order of thought with the community
Intro to "Man Condemned for Free.", A propaganda others decide for themselves about how to live while highlighting the band's commercial seal to band2 Uberebels just because mrk charge to event organizers on behalf of penyeleggara who make their own slogan: "Support Your Local Underground Bands! "In the back hlmn, Gembel To publish his love letters" Love Letters Homeless Crew ", the introduction of felicitous essence of existence underground attitude, sgala opposition and the complexity of social relationships with many communities, up to the most personal relationships: romance.
Loud n 'Freaks
Loud n Freaks initiated Burgerkill Toto (editor), Feby Balcony (design), & Pam Runtah (contributor). This is a particular fan of hardcore zine & load INFO2 about hardcore and life style with headquarters on Jl. Golf D2/1B Cisaranten Ujungberung .. Issue # 1 published in January 1999 with Core section (editorial), Essay2 (there are four "Underground back to the Do It Yourself", "Do not Use Gratuitous XXX", "Anarchy Does It Exist in the Republic of Indonesia", and "Borok Attitude Should Still Considered low "), World Wide Hardcore Scene (info hardcore scene of the world), interview (Forgotten, Savor of Filth, Turtles Jr., Reports Show, London Underground Info, Review Band (Take A Stand & Disinfected) Music Review (Balcony, Coretex , Friday 13th, Forgotten, Grill Salmon, Impious, Bars, Eternal, Naked Truth, Noin Bullet, Turtles Jr.) Review fanzine (Thirteen # 1, Pangcore # 3 & 4, Over the Edge # 9, Revolted # 1, The Kan Du # 1, In Effect, International Straight Edge Bulletin, Reflection, Lion City Skins, Neptune), and Ending. In Ending, Toto wrote: "We really want to keep this fanzine that we will get back to work for an upcoming issue. Hopefully we do not get a lot of significant problems and can quickly see all of you. You guys are full and enthusiastic support, wait no more ... Labels, distros, bands, individuals, or anyone, expected contribution. See you ... "Loud n 'Freaks are only last one published yet, but the placement of the structure of the initiators rubrikasi equalizes the local scene and the global scene.
Crypt of the Abyss
Crypt of the Abyss initiated Sacrilegious Opik, contains INFO2 black metal. In the first edition without a protective screen to open the Crypt by Opik aling2 What the Hell Inside this Isuue (content), an Introduction (introduction with illustrations porn star Asia Carerra) and the Enlightment. Crypt reviewing the band Incantation, Arcanum (local), Celestral (local), Point Blank (local), Politics Virus (local), Vile Intent, The body (local), conceal, and Nocturnal Orchestra (local). From this set we know if pd is loading rubrikasi review the band was out of state boundaries. Everything is getting melted and local band2 was considered parallel to band2 abroad.
For support of the local music scene, a rubric Disorderly Cryp Trunks of Unusually Crypt Tempest, reviewing the band The Abyss, Marduk, Disinfected, Decay, Sacrilegious, Amalthea, va Brutally Sickness Vol.2, Forgotten, Victim of Rage, Injected Sufferage, Naked Truth , Sepultura, Motorcycle Death, Unseen Darkness, Embalmer, Dimmu Borgir, and va Death is Just the Beginning Vol.4. Crypt jg-zine review zine includes local as Morbid Noise Zine & Guerrilla Underground fanzine, in addition to advertise The Evening Sun.
For news, Crypt had a rubric News, Whole Sale Price List June-July 1999 Focflame London Records, and the Rebels Ujungberung Scene Report which contains the latest kabar2 anak2 Uberrebels. Crypt also contains advertisements Rebel Sound & Rebelliondgn merchandise production Burgerkill Every Mother's Nightmare and Everything Sucks, Disinfected Within Subsconcious logo and Mind, and the Forgotten Dead Obsession.
The Evening Sun
The first gothic magazine in Indonesia that digagasDani, one of the pioneers Uberebels, drummer and founding body of gothic band, Restless. The Evening Sun ran an article on the history of gothic, music, goth scene locally and abroad, and its development now. Within Temptation features interviews, pilori, a review of the Theater Tragedy, Sirrah, and all sorts of pergothikan. The Evening Sun is only one published in October 1999.
Rottrevore Magz
Rottrevore is in the Uberebels tergaya magazine. This zine satu2nya repousse with good quality. Rotrevore initiated Ferly, Rio, and Andre. Rottrevoe also be referred to as the best underground metal zine ever in Indonesia both in the layout and in content. Raised more in-depth discourse relaxed, but do not reduce kegaharan a metal zine should be. Rottrevore always use scrap paper, and in siniliah rebellion there. As a zine in favor of underground music, Rottrevore does best.
New Noise
After Loud n Freaks do not walk, Toto collaborate with Eben to publish a zine hardcore, metal, and punks. Zine they both are New Noise, featuring the latest news about the metal scene, hardcore, and punk. New Noise is published five times during 2000 to 2003. The format is much better than-zine zine that has been published. Dilayout by Eben in Adobe Photoshop and CorelDraw.
MinorBacaanKecil
Minor further MinorBacaanKecil-it-in fact morbidly Uberebels intersect with LSG, but made o / Kimung who incidentally Uberebels great. Minor made in 2003 by Norvan, Kimung, Congor, Popup, Danive, Hana, Nyda, and Sundea in the State in the Clouds, Literature Unpad. After the ninth edition of the Minor tangent to Uberebels then, when the load Ujungberung Minor Update as a regular column. This loading is one effort to support the publication of an eye Minor Panceg Dina Path: Rebels Ujungberung Kimung that will be written and published Gembel Addy & Minor Books, 2008. Previously, Uberebels could also synergize with Minor through his publishing wing, Minor Books. Minor Books published her debut collection of short stories with Addy works Gembel, Minor Books August 14, 2004. The most updated and phenomenal, of course, book publishing Myself: Beyond Life and Death Scumbag, a biography of Ivan Scumbag Minor works published Kimung Books, 11 November 2007.
Totalokal
Totalokal initiated by Pei, Aas, and Asmo since February 2007, as a manifestation of the propaganda "Never Grow Up" was initiated Distribute. His first edition of lifting the title Totalokal Listen to the Children. Highlight a section Totalokal Band, in the first issue includes reviews and interviews Bedaxsaripohacy Pitfall. Totalokal then started their propaganda with desain2 merchandise merchandise for babies & anak2, all products and Distrubute Parental Advisory. But soon advertise, Totalokal immediately hit with Issue: "Against Human Trafficking" and the essay
"NGU # 4 the Newsletter on Children's Behalf: What's Beyond Growing Up" is an introductory propaganda Never Grow Up. Totalokal # 1 also includes a hotspot of art in London, Window Ideas Kids Percussion and sk8par children, The Neverlands, in front of the headquarters Distribute, Baranangsiang, Kosambi, Bandung.
In another edition, published in February 2008, Totalokal A Never Grow Up Zine present to address the tragedy of the AACC and become one of the widely read information other than Minor. Totalokal be one of fund raising as well as media propaganda condolences & scrolling discourse about the subculture "underground." This edition contains information Totalokal jg Adikaka Foundation, The Neverlands, local bomber Kiddy interview, essay "History of Graffiti 1960-1980", a review: D 'Army, Rabies, Koil, Burgerkill, Superabundance, and a book by Kimung, Myself Scumbag Beyond Life and Death, Minor Books, November 2007, and reportage National Skateboarding Championship in 2007, Margo City, Depok, 25 Nov 2007.
CORROSION JOURNAL # 96, 25 November 2011, rusty behind: RECORDING SESSION: KARTA & KartoPosted: December 4, 2011 in UncategorizedTags: Karinding ATTACK0
CORROSION JOURNAL # 96, 25 November 2011, rusty behind: RECORDING SESSION: KARTA & Karto
CORROSION JOURNAL # 96, 25 November 2011, rusty behind: RECORDING SESSION: KARTA & Karto
By Jon 666
19 November, Saturday, at the Karat Sasaka Birthday
Rust appeared this afternoon in Sasaka birthday in Lembang. Truly a wonderful event with uma Karinding very much welcome there Karat. Rahayu Lembang! Rahayu sasaka! HAPPY BIRTHDAY MAY SASAKA RAHAYU ALWAYS FOREVER, ameen!
21 November, Monday, Rustic behind Part 3: Common Room Rehearsal Session with Kang Noey Java Jive
Agenda for this exercise is sharing session Karat musical arrangement for "behind." To that end, the producers invited Karat Peterpan, Kang Noey, to attend and give wwasan the arrangements that have been built. Karat then practiced since three o'clock. Arrangements are progressing rapidly Karinding. Remarkable cooperation and Mang Ki Amenk Vishnu in memnagun Karinding arrangement for this song. Duet tabeuh Karinding use (let's call it the karta) with Karinding towel (let's call it the Karto) actually managed to show a nice dialog with the same pattern at all strange, unique, unexpected, and certainly cool! There are currently no arrangements karta & Karto like this, and for that Karat and Ki Amenk, personally, very grateful to Asep Nata who introduced Karto to Karat at a very appropriate time. Arrangement dialog karta & Karto "behind" are arranged in a simple pattern and placed in some place that can be selected simultaneously pursue feature Karinding sound track emotional nuance. Kudos again to Amenk vs Ki. Vishnu has this cool megaransemen dialogue!
Meanwhile, in a session zither and flute, pirigan and jugs pattern is already established, but it still will be brought to the giddy mood of the song in which the respective amsing waditra. However, security arrangements and inflatable sessions Karat has been pretty steady at that time. Asep Nata are also present at this session to provide input to further explore the Hendra tepakan and gong zither is a typical plop itself. Hendra meinta Kimung also further explore the wasp stringed zither that he will play in the session gong zither.
Hours limasore, Kang Noey come in the Common Room. Soon he was joined in this latihn session. We all talk to each other in a circle, each view of each individual to hear what the songs are worked out. Rust has two options to express their own arrangements, the first fill out the nuances of songs, and other arrangements play mangubah Peterpan and played several instruments on the demo with waditra Peterpan-waditra Karat. Kang himself freed Noey Karat building "behind" in accordance with the will of Karat. But he memita for Karat aransmennya record to be heard together and memeinta Ariel views. Ariel was instrumental in this collaborative process and it should continue to be notified about the progress of this project.
Then the recording schedule was determined. Karat Karat agreed to record a demo-Shakira "behind" the next day, Tuesday, at the Common Room studio. For that Karat asking for help Gigi - Indra record for the demo. Teeth provide a tape recorder to be used portablenya Karat. senses agreed to act as engineer.
Hajar!
22 November, Tuesday, Rustic behind Part 4: Common Room Recording Session
Recording is scheduled to begin today eleven o'clock, but a new start at half past one. Papay take the first turn celempung jointly and severally as he had to go see his mother and the prospective in-laws. Papay is being excited because deg-degannya fortnight he married again and everything should continue to be prepared from now. Mang Papay spirit! Papay to quickly resolve the celempungnya. Arrangement celempung papay fairly economical. He simply followed the taiko drum pattern and build mutually game just plop in the middle and end of course. Papay Kimung rate is still less give the feel of the game celempung rentengnya to fill this song. Papay promised to come back at night and filling pattern was lacking.
Hendra then fill part of the song. He played a slap arrangement and combination of strings and gongs celempungnya. Hendra complete recordings quickly and turn the record celempungnya Kimung now. In contrast to Hendra, Kimung fill the session by setting the amount of blocking gong zither, Molly. Kimung also be completed quickly rekamnnya session. However, when reviewed, the results were less than the maximum. Kimung celempung pattern and hendra tend to accumulate, many fall at the same wasp. Usually arrangements celempungan Kimung & Hendra was always falling in different places so very tightly and complement each other. For that Kimung request Hendra rearranging celempungnya pattern so as not to accumulate in the background was built celempung ovary. Hendra said, okay.
Karinding turn now recorded. Ki Amenk and Jawis each session they completed quickly. Re-submitted to salute those who have been so solid this build aransmenen. Flute also recorded quickly. Jimbot have a lot of game patterns danPadang blend of Sunda, between a small flute, flute major, Saluang, and flute. He had recorded some compositions are then selected two versions of the inflatable games. Yuki also fill Saluang to underlie permaianan Jimbot Sundanese flute.
Demo soon worked by Indra in his house to be completed tomorrow morning and taken to Ariel to be discussed. Karat is scheduled to tape on Friday shift 1 and 2 at Studio Masterplan, East Course, Ujungberung, the operator Uki and Byan. Hajar continues!
23 November, Wednesday, Rustic behind Part 5: Ariel and the "Star in Heaven", Karat in Maja House
That afternoon, Ariel looks bright. He enthusiastically welcomed as represented by Kimung Karat, Vishnu, Man, and Ardi Promotion of roof. Shirted collar and faded blue jeans celama Karat he invited to sit around 'desk.' And she excitedly greeted the news and the progress of cultivation of the arrangements Karat "behind me." He is also especially Vishnu who turned out to greet the first class in high school theme 23Bandung. Immediately place a warm conversation, and eventually all listen to a recorded demo Karat previous day. This demo is very simple, of course, but enough to handle just the design or evaluation of materials is more solid governance arrangements.
Two to three times the replay Ariel demo and he marked some things. He was very interested in the arrangement Karinding Ki Amenk and Vishnu and wanted menonjokan Karinding more of this arrangement in the song. He considered Karinding arrangements in this song too thrifty and he wants Karinding also played in the earlier parts of the song. Karinding is simply laid out in the intro, middle, and end the song. Vishnu told Ariel that present arrangements are beginning to play Karinding continue along the track, but he and Ki Amenk karindingnya worry too crowded. Ariel then play a few songs and reveal the layout and game-bagain Karinding in part can be a little bit, but they can provide unique effects Karinding that is unique to the listener. Ariel is also considered that game distilled, Saluang, and flute on this song still seem hesitant and asked that arrangements be worked more loose and free.
Furthermore Ariel also assess if the songs are more fitting for cultivation Karat says is "Stars in Heaven." He considered the arrangements of "Stars in Heaven" is a very attractive fit with Karat which is playing in the aura. "Stars in Heaven" also provides a broad spaces for exploration permaianan Karat, either in session brass, percussion instrument, and even Karinding. He seemed very enthusiastic when Karat also proved to have the same feelings. Soon they were playing "Stars in Heaven" while playing this song Karinding fill. Quickly, it turned out the basic arrangements can be resolved by Karat Karinding immediately. Ariel gave a demo "Stars in Heaven" to Karat and Karat asked, if not mind, to make arrangements well in the song. Rust of course welcome Ariel demand. In the midst of conversation, come Kang Mang Ridwan kamil-or-Emil who also came to see Ariel. The more intimate atmosphere trasa remember Mang Emil certainly not someone else for Karat. Unfortunately, at half past three Kimung have to go back to school to train children to play Axis SMP Young Scholar Karinding to appear the next day at the opening of the Green Fest 2011.
Soon, Uki and Dragonflies Java Jive come. Ariel sgera expressed his desire to Uki for Karat digarat song transformed into "Stars in Heaven." But Uki reveal if this song has been processed and the percussion is the way to record their part in "Stars in Heaven." Ariel finally agreed to try to fill Rust " behind me "first.
Rust itself is more likely to choose the "Star in Heaven" because it is more suited to the character of Karat. However, Karat assess material "behind" no less powerful. With the right composition, this song will also have the same power to break down the "Stars in Heaven." However, Karat also promised to continue to try to work on Ariel "Stars in Heaven."
24 November, Thursday, Cekas Welcome!
Papay performed with Cekas, at the opening of the Green Fest 2011. Cekas is a band built Kimugn because it consists of children Axis junior class in which the Young Scholar and rekannnya Kimung Fifi into homeroom. Papay initially brought zither and Karinding for Young Scholar SMP project portfolio. Waditra-waditra soon explored these children SMP Young Scholar and somehow, the passion play Karinding suddenly swelled, especially in children Axis. They agreed to join a music group and perform at the event Karinding Minggon Young Scholar Sunda people of later days. Suddenly, Mr. Yogi notify the principal of these children if they could show the possibility of opening the Green Fest in Monument PerjuanganBandung. These kids just say yes.
And now there Papay bermaian plop them jointly and severally with: Rifky and Adi on the zither, Dawn and Carer Karinding, Hani on dogdog, Imel on kecrek and keparak, Jung on guitar, as well as the singing Sultahn and Salma. Shown in front of about two hundred audience that afternoon, managed to open the performance Cekas Green Fes with the song "Dina Amparan Sajadah" and "Bubuy Month."
November 25, Friday, Rustic behind Part 4: Master Plan Recording Session
Karat is scheduled to record this day parts of the song "behind" in Studio Masterplan, Ujungberung. Studio is a bit much to have links with some of the pioneers Ujungberung Rebels, especially in the band Forgotten. Around the year 2005 or 2006 to 2008, Addy Gembel work for Toteng Masterplan and until now remained a permanent engineer at Masterplan, specifically to work on metal music.
Of schedule at 10 am, the tape begins at one end after Friday prayers. For the recording sessions this time there will Byan Uki and behind the desk and walk Karat mixer in filling the song. Three microphones used were Neumann Type U87A single and two AKG C451 condenser.
Recording begins by filling jointly and severally sawelasnya Papay, fitted at one o'clock. The concept is very simple structured Papay. He followed the track-Japanese taiko-drum in this song and fill in some parts of the strains of the song. The concept is quite colorful than the previous concept that it just follows the taiko. The part that is quite prominent in the middle session when the track changes to the color shades of Arabic. Papay to quickly complete the record.
At two o'clock, turn the record Kimung celempung ovary. The concept, he just plays games gong ovaries to underlie Papay and Hendra. so Kimung just beating the gong follow the snare drum which is arranged Peterpan. He was quickly completed the recording sessions.
Hendra's turn then to fill the child's zither session. In the previous recording session in the Common Room with Indra, the concept of child celempung Hendra Kimung stack up with the background pattern. kimung Hendra has called for rearranging pirigan celempungnya and indeed in the recording sessions this time he had changed some parts so as not to pile up the gong Kimung.hendra fill an entire song full-pirigan denganpirigan attractive, though still a lump. Stacking patterns in beberapbagian still noticeable, though not thick like the previous session. Hendra record celempung child quickly, only twenty minutes, starting at three.
Supposed to go after this is Karinding, but because JImbot appointment with Nick and Bill at STSI, so he asked first to enter the studio. Then at half past four in the afternoon, he began recording sulingnya.Adatiga flute arrangements that will be filled Jimbot. The first was a large flute or Saluang arrangement, the second small Sundanese flute, and the third flute. In this first session Saluang Jimbot fill first. The first session runs smoothly. Stepping on to the session to a two-flute arrangement of small Sunda-Jimbot started having trouble. Finally jamlimasore, Jimbot decided to break.
Okid soon enter the studio to record brass gong. He did not experience any difficulty because the pattern is well prepared with tiupnya gong. Some parts are transformed, especially in the sampling choir. Originally Okid play backdrop choir, at the request of Uki it merobahnya so participated together pounding choir. It feels more solid! Only a half hour recording session Okid brass gong "behind me.".
Karinding turn now to enter the recording booth. Since the war, Ariel kept saying if she was cold Karinding arrangements highlight in this song. He considered karindng arrangements have been made are still lacking and for that Vishnu - Ki Amenk has drawn up a new, more stable arrangements. Ki Amenk who first entered the booth was accompanied by Vishnu, at 18:55. He played Karinding Asep Nata-or towel-Karto and play very well. Some have it any part of the empty content with the new arrangements that underlie the notes "behind." Arrangement Amenk Ki is very strange and unprecedented pattern Karinding game like this before. However, as compiled together, Ki Amenk arrangements are full of tolerance, in the sense he gives plenty of room for dialogue with Vishnu Karinding game.
On the other hand, Vishnu uses Karinding tabeuh-or-Giri karta Kerenceng also fill in the Ki Amenk arranged very nicely. A variety of techniques on display here in the portion of the right-not too much, not too little. From engineering to technical depth wahwah Vishnu arranged neatly pirigan Karinding bersandingan with the usual play. Truly this is a duel Karinding arrangements are really cool! He started recording at 19:30 and finish at 20:45.
After Karinding finished recording, turn Jimbot now re-entered the recording flute and serunainya. Because it is hard to get a good pattern, Jimbot Uki finally asked that he be allowed to perform any kind of jam session silung live several times and later selected, sorted, which is best put in the tape. Uki Jimbot invited to play freely. Take four times, finally completing the game Jimbot flute and soon switched to flute. Flute part is relatively small. Toleat Padang is only stored in the third verse and the vocals on the Coda Arabic. Ten past five and a half hours Jimbot finally finished recording sessions tiupnya tool.
Adabeberapa thing that has not been completed at this session. The first is that Yuki has not filled this wadita Saluang, whereas the originally most like Ariel. Yuki himself has drawn up Saluang pattern, or replace a large pattern that has been distilled Sunda dimainakan Jimbot at the beginning of the recording session. The second is a recording session Karinding Man has not been done. Man this afternoon's leave to go to the Common Room Bandung preparatory meeting Death Fest V.
Byan itself so after the record-waditra waditra Karat, immediately clean up and balance the tapes and immediately dibounce to wav format to be heard together. He personally assess-waditra waditra played full enough, but if there are still some additions or changes, the next recording session will be conducted the day Wednesday, November 30, 2011.
CORROSION JOURNAL # 96, 25 November 2011, rusty behind: RECORDING SESSION: KARTA & Karto
CORROSION JOURNAL # 96, 25 November 2011, rusty behind: RECORDING SESSION: KARTA & Karto
By Jon 666
19 November, Saturday, at the Karat Sasaka Birthday
Rust appeared this afternoon in Sasaka birthday in Lembang. Truly a wonderful event with uma Karinding very much welcome there Karat. Rahayu Lembang! Rahayu sasaka! HAPPY BIRTHDAY MAY SASAKA RAHAYU ALWAYS FOREVER, ameen!
21 November, Monday, Rustic behind Part 3: Common Room Rehearsal Session with Kang Noey Java Jive
Agenda for this exercise is sharing session Karat musical arrangement for "behind." To that end, the producers invited Karat Peterpan, Kang Noey, to attend and give wwasan the arrangements that have been built. Karat then practiced since three o'clock. Arrangements are progressing rapidly Karinding. Remarkable cooperation and Mang Ki Amenk Vishnu in memnagun Karinding arrangement for this song. Duet tabeuh Karinding use (let's call it the karta) with Karinding towel (let's call it the Karto) actually managed to show a nice dialog with the same pattern at all strange, unique, unexpected, and certainly cool! There are currently no arrangements karta & Karto like this, and for that Karat and Ki Amenk, personally, very grateful to Asep Nata who introduced Karto to Karat at a very appropriate time. Arrangement dialog karta & Karto "behind" are arranged in a simple pattern and placed in some place that can be selected simultaneously pursue feature Karinding sound track emotional nuance. Kudos again to Amenk vs Ki. Vishnu has this cool megaransemen dialogue!
Meanwhile, in a session zither and flute, pirigan and jugs pattern is already established, but it still will be brought to the giddy mood of the song in which the respective amsing waditra. However, security arrangements and inflatable sessions Karat has been pretty steady at that time. Asep Nata are also present at this session to provide input to further explore the Hendra tepakan and gong zither is a typical plop itself. Hendra meinta Kimung also further explore the wasp stringed zither that he will play in the session gong zither.
Hours limasore, Kang Noey come in the Common Room. Soon he was joined in this latihn session. We all talk to each other in a circle, each view of each individual to hear what the songs are worked out. Rust has two options to express their own arrangements, the first fill out the nuances of songs, and other arrangements play mangubah Peterpan and played several instruments on the demo with waditra Peterpan-waditra Karat. Kang himself freed Noey Karat building "behind" in accordance with the will of Karat. But he memita for Karat aransmennya record to be heard together and memeinta Ariel views. Ariel was instrumental in this collaborative process and it should continue to be notified about the progress of this project.
Then the recording schedule was determined. Karat Karat agreed to record a demo-Shakira "behind" the next day, Tuesday, at the Common Room studio. For that Karat asking for help Gigi - Indra record for the demo. Teeth provide a tape recorder to be used portablenya Karat. senses agreed to act as engineer.
Hajar!
22 November, Tuesday, Rustic behind Part 4: Common Room Recording Session
Recording is scheduled to begin today eleven o'clock, but a new start at half past one. Papay take the first turn celempung jointly and severally as he had to go see his mother and the prospective in-laws. Papay is being excited because deg-degannya fortnight he married again and everything should continue to be prepared from now. Mang Papay spirit! Papay to quickly resolve the celempungnya. Arrangement celempung papay fairly economical. He simply followed the taiko drum pattern and build mutually game just plop in the middle and end of course. Papay Kimung rate is still less give the feel of the game celempung rentengnya to fill this song. Papay promised to come back at night and filling pattern was lacking.
Hendra then fill part of the song. He played a slap arrangement and combination of strings and gongs celempungnya. Hendra complete recordings quickly and turn the record celempungnya Kimung now. In contrast to Hendra, Kimung fill the session by setting the amount of blocking gong zither, Molly. Kimung also be completed quickly rekamnnya session. However, when reviewed, the results were less than the maximum. Kimung celempung pattern and hendra tend to accumulate, many fall at the same wasp. Usually arrangements celempungan Kimung & Hendra was always falling in different places so very tightly and complement each other. For that Kimung request Hendra rearranging celempungnya pattern so as not to accumulate in the background was built celempung ovary. Hendra said, okay.
Karinding turn now recorded. Ki Amenk and Jawis each session they completed quickly. Re-submitted to salute those who have been so solid this build aransmenen. Flute also recorded quickly. Jimbot have a lot of game patterns danPadang blend of Sunda, between a small flute, flute major, Saluang, and flute. He had recorded some compositions are then selected two versions of the inflatable games. Yuki also fill Saluang to underlie permaianan Jimbot Sundanese flute.
Demo soon worked by Indra in his house to be completed tomorrow morning and taken to Ariel to be discussed. Karat is scheduled to tape on Friday shift 1 and 2 at Studio Masterplan, East Course, Ujungberung, the operator Uki and Byan. Hajar continues!
23 November, Wednesday, Rustic behind Part 5: Ariel and the "Star in Heaven", Karat in Maja House
That afternoon, Ariel looks bright. He enthusiastically welcomed as represented by Kimung Karat, Vishnu, Man, and Ardi Promotion of roof. Shirted collar and faded blue jeans celama Karat he invited to sit around 'desk.' And she excitedly greeted the news and the progress of cultivation of the arrangements Karat "behind me." He is also especially Vishnu who turned out to greet the first class in high school theme 23Bandung. Immediately place a warm conversation, and eventually all listen to a recorded demo Karat previous day. This demo is very simple, of course, but enough to handle just the design or evaluation of materials is more solid governance arrangements.
Two to three times the replay Ariel demo and he marked some things. He was very interested in the arrangement Karinding Ki Amenk and Vishnu and wanted menonjokan Karinding more of this arrangement in the song. He considered Karinding arrangements in this song too thrifty and he wants Karinding also played in the earlier parts of the song. Karinding is simply laid out in the intro, middle, and end the song. Vishnu told Ariel that present arrangements are beginning to play Karinding continue along the track, but he and Ki Amenk karindingnya worry too crowded. Ariel then play a few songs and reveal the layout and game-bagain Karinding in part can be a little bit, but they can provide unique effects Karinding that is unique to the listener. Ariel is also considered that game distilled, Saluang, and flute on this song still seem hesitant and asked that arrangements be worked more loose and free.
Furthermore Ariel also assess if the songs are more fitting for cultivation Karat says is "Stars in Heaven." He considered the arrangements of "Stars in Heaven" is a very attractive fit with Karat which is playing in the aura. "Stars in Heaven" also provides a broad spaces for exploration permaianan Karat, either in session brass, percussion instrument, and even Karinding. He seemed very enthusiastic when Karat also proved to have the same feelings. Soon they were playing "Stars in Heaven" while playing this song Karinding fill. Quickly, it turned out the basic arrangements can be resolved by Karat Karinding immediately. Ariel gave a demo "Stars in Heaven" to Karat and Karat asked, if not mind, to make arrangements well in the song. Rust of course welcome Ariel demand. In the midst of conversation, come Kang Mang Ridwan kamil-or-Emil who also came to see Ariel. The more intimate atmosphere trasa remember Mang Emil certainly not someone else for Karat. Unfortunately, at half past three Kimung have to go back to school to train children to play Axis SMP Young Scholar Karinding to appear the next day at the opening of the Green Fest 2011.
Soon, Uki and Dragonflies Java Jive come. Ariel sgera expressed his desire to Uki for Karat digarat song transformed into "Stars in Heaven." But Uki reveal if this song has been processed and the percussion is the way to record their part in "Stars in Heaven." Ariel finally agreed to try to fill Rust " behind me "first.
Rust itself is more likely to choose the "Star in Heaven" because it is more suited to the character of Karat. However, Karat assess material "behind" no less powerful. With the right composition, this song will also have the same power to break down the "Stars in Heaven." However, Karat also promised to continue to try to work on Ariel "Stars in Heaven."
24 November, Thursday, Cekas Welcome!
Papay performed with Cekas, at the opening of the Green Fest 2011. Cekas is a band built Kimugn because it consists of children Axis junior class in which the Young Scholar and rekannnya Kimung Fifi into homeroom. Papay initially brought zither and Karinding for Young Scholar SMP project portfolio. Waditra-waditra soon explored these children SMP Young Scholar and somehow, the passion play Karinding suddenly swelled, especially in children Axis. They agreed to join a music group and perform at the event Karinding Minggon Young Scholar Sunda people of later days. Suddenly, Mr. Yogi notify the principal of these children if they could show the possibility of opening the Green Fest in Monument PerjuanganBandung. These kids just say yes.
And now there Papay bermaian plop them jointly and severally with: Rifky and Adi on the zither, Dawn and Carer Karinding, Hani on dogdog, Imel on kecrek and keparak, Jung on guitar, as well as the singing Sultahn and Salma. Shown in front of about two hundred audience that afternoon, managed to open the performance Cekas Green Fes with the song "Dina Amparan Sajadah" and "Bubuy Month."
November 25, Friday, Rustic behind Part 4: Master Plan Recording Session
Karat is scheduled to record this day parts of the song "behind" in Studio Masterplan, Ujungberung. Studio is a bit much to have links with some of the pioneers Ujungberung Rebels, especially in the band Forgotten. Around the year 2005 or 2006 to 2008, Addy Gembel work for Toteng Masterplan and until now remained a permanent engineer at Masterplan, specifically to work on metal music.
Of schedule at 10 am, the tape begins at one end after Friday prayers. For the recording sessions this time there will Byan Uki and behind the desk and walk Karat mixer in filling the song. Three microphones used were Neumann Type U87A single and two AKG C451 condenser.
Recording begins by filling jointly and severally sawelasnya Papay, fitted at one o'clock. The concept is very simple structured Papay. He followed the track-Japanese taiko-drum in this song and fill in some parts of the strains of the song. The concept is quite colorful than the previous concept that it just follows the taiko. The part that is quite prominent in the middle session when the track changes to the color shades of Arabic. Papay to quickly complete the record.
At two o'clock, turn the record Kimung celempung ovary. The concept, he just plays games gong ovaries to underlie Papay and Hendra. so Kimung just beating the gong follow the snare drum which is arranged Peterpan. He was quickly completed the recording sessions.
Hendra's turn then to fill the child's zither session. In the previous recording session in the Common Room with Indra, the concept of child celempung Hendra Kimung stack up with the background pattern. kimung Hendra has called for rearranging pirigan celempungnya and indeed in the recording sessions this time he had changed some parts so as not to pile up the gong Kimung.hendra fill an entire song full-pirigan denganpirigan attractive, though still a lump. Stacking patterns in beberapbagian still noticeable, though not thick like the previous session. Hendra record celempung child quickly, only twenty minutes, starting at three.
Supposed to go after this is Karinding, but because JImbot appointment with Nick and Bill at STSI, so he asked first to enter the studio. Then at half past four in the afternoon, he began recording sulingnya.Adatiga flute arrangements that will be filled Jimbot. The first was a large flute or Saluang arrangement, the second small Sundanese flute, and the third flute. In this first session Saluang Jimbot fill first. The first session runs smoothly. Stepping on to the session to a two-flute arrangement of small Sunda-Jimbot started having trouble. Finally jamlimasore, Jimbot decided to break.
Okid soon enter the studio to record brass gong. He did not experience any difficulty because the pattern is well prepared with tiupnya gong. Some parts are transformed, especially in the sampling choir. Originally Okid play backdrop choir, at the request of Uki it merobahnya so participated together pounding choir. It feels more solid! Only a half hour recording session Okid brass gong "behind me.".
Karinding turn now to enter the recording booth. Since the war, Ariel kept saying if she was cold Karinding arrangements highlight in this song. He considered karindng arrangements have been made are still lacking and for that Vishnu - Ki Amenk has drawn up a new, more stable arrangements. Ki Amenk who first entered the booth was accompanied by Vishnu, at 18:55. He played Karinding Asep Nata-or towel-Karto and play very well. Some have it any part of the empty content with the new arrangements that underlie the notes "behind." Arrangement Amenk Ki is very strange and unprecedented pattern Karinding game like this before. However, as compiled together, Ki Amenk arrangements are full of tolerance, in the sense he gives plenty of room for dialogue with Vishnu Karinding game.
On the other hand, Vishnu uses Karinding tabeuh-or-Giri karta Kerenceng also fill in the Ki Amenk arranged very nicely. A variety of techniques on display here in the portion of the right-not too much, not too little. From engineering to technical depth wahwah Vishnu arranged neatly pirigan Karinding bersandingan with the usual play. Truly this is a duel Karinding arrangements are really cool! He started recording at 19:30 and finish at 20:45.
After Karinding finished recording, turn Jimbot now re-entered the recording flute and serunainya. Because it is hard to get a good pattern, Jimbot Uki finally asked that he be allowed to perform any kind of jam session silung live several times and later selected, sorted, which is best put in the tape. Uki Jimbot invited to play freely. Take four times, finally completing the game Jimbot flute and soon switched to flute. Flute part is relatively small. Toleat Padang is only stored in the third verse and the vocals on the Coda Arabic. Ten past five and a half hours Jimbot finally finished recording sessions tiupnya tool.
Adabeberapa thing that has not been completed at this session. The first is that Yuki has not filled this wadita Saluang, whereas the originally most like Ariel. Yuki himself has drawn up Saluang pattern, or replace a large pattern that has been distilled Sunda dimainakan Jimbot at the beginning of the recording session. The second is a recording session Karinding Man has not been done. Man this afternoon's leave to go to the Common Room Bandung preparatory meeting Death Fest V.
Byan itself so after the record-waditra waditra Karat, immediately clean up and balance the tapes and immediately dibounce to wav format to be heard together. He personally assess-waditra waditra played full enough, but if there are still some additions or changes, the next recording session will be conducted the day Wednesday, November 30, 2011.
IVAN THE WORLD write a ScumbagPosted: April 19, 2012 in Uncategorized0
Ivan Scumbag, is the pioneer generation of groundbreaking Ujungberung Rebels, the biggest metal music community in Indonesia. Born on 19 April 1978, little Ivan showed great artistic talent. A teenager he played metal music, and since founding Burgerkill 1995, he was as unstoppable. Together Burgerkill, he released "Two Sides" (2000), "Rusty" (2004), and "Beyond Coma and Despair" (2006). Ivan contiguity with the writing of the book began in March 2005, when he was working on book illustrations Three Six Figures. At that time he wanted to write a book of history reveals Burgerkill. He asked me to help and of course I sanggupi. Ivan began to design the contents of the book he wrote.
However, after Ivan has not completed the design, July 27, 2006 he was called by his trigger. I was devastated. I feel there is one thing among us that has not been completed. Thus, in the last seconds of his life, I whispered a promise, "Van, I aing béréskeun kahayang Maneh! My biography of the BK aing tuliskeun Van! Maneh lalakonna! "
Ivan is write music tells the history of the underground realm of Indonesia since the 1990s, as well as the story of everyday people and the outskirts Ujungberung other cities are in contact with him and Burgerkill. It's like putting together puzzle pieces are scattered along the road he had ever flown. Ivan did not figure to be whole without a background image behind it.
Fortunately, Ivan left many traces. A few days after Ivan's death I received a stack of books and files owned by Ivan. Ivan's hand all contain pictures, artwork, lyrics, poetry, vent, or just scribble it. I am also copying 12GB of data and digitizing software is owned by Ivan and academic medical documents, administrative records, and knick-knacks collection. In addition to private property, the footprints of Ivan I got from Merry boyfriend, Erick his brother, Eben Burgerkill. I also examine dokumetasi television, internet, and print media.
It took three months of Ivan the courage to write, learn, decide the plot, and the framework of historical writing. I share his life story into seven chapters and 92 resource persons who pocketed be interviewed. January 2007 I started writing. It's not easy to dive into the soul Ivan turmoil. I often get carried away emotionally in writing. The most difficult is to write the final part, tells of his illness Ivan to death. I have trouble feeling empathy that is so passionate desire versus the increasingly frail physical condition. I also can not know it was a death.
***
11 November 2007 book Scumbag Myself Beyond Life and Death appeared. This is a biography of the first metal musicians as well as chronicles the early history of writing metal music in Indonesia. I dedicate this book with a fragment of a sentence of Omar Khayyam in Samarkand, "Arise! Eternity to sleep stretched out before us! "Book Scumbag beat the streets with five campaigns: equality, health, collaboration, community dynamics, and documenting life.
Scumbag book was adapted into a semi-documentary film script by Hikmatullah and developed into the two subsequent books, namely "Ujungberung Rebels" and "London underground 1990 - 2015". History book "Rebels Ujungberung" consists of three series of "Memoirs Against Lost", "Journal of Rust", and "Rebels Ujungberung, Dina Panceg strain". Meanwhile, the "underground London 1990-2015" consists of ten series covering the entire history of London to the realm of independent music phenomenon of the rise of the birth of a new musical that explores the desire of traditional art. These books will be published in a guerrilla between 2012 and 2015. Scumbag book itself is now being translated into English and prepared well in French. This should be done as the extent of Ivan heritage Burgerkill-band-in the realm of international metal music.
19 April 2012, when Ivan was still alive will be 34 years old and of course their work will add a new breakthrough, breakthrough in the realm of music Indonesia. Even when he had nothing else works continue to talk about how to successfully build a dynamic passion that continues to regenerate endlessly, across space and time, to this day.
Ivan Scumbag, is the pioneer generation of groundbreaking Ujungberung Rebels, the biggest metal music community in Indonesia. Born on 19 April 1978, little Ivan showed great artistic talent. A teenager he played metal music, and since founding Burgerkill 1995, he was as unstoppable. Together Burgerkill, he released "Two Sides" (2000), "Rusty" (2004), and "Beyond Coma and Despair" (2006). Ivan contiguity with the writing of the book began in March 2005, when he was working on book illustrations Three Six Figures. At that time he wanted to write a book of history reveals Burgerkill. He asked me to help and of course I sanggupi. Ivan began to design the contents of the book he wrote.
However, after Ivan has not completed the design, July 27, 2006 he was called by his trigger. I was devastated. I feel there is one thing among us that has not been completed. Thus, in the last seconds of his life, I whispered a promise, "Van, I aing béréskeun kahayang Maneh! My biography of the BK aing tuliskeun Van! Maneh lalakonna! "
Ivan is write music tells the history of the underground realm of Indonesia since the 1990s, as well as the story of everyday people and the outskirts Ujungberung other cities are in contact with him and Burgerkill. It's like putting together puzzle pieces are scattered along the road he had ever flown. Ivan did not figure to be whole without a background image behind it.
Fortunately, Ivan left many traces. A few days after Ivan's death I received a stack of books and files owned by Ivan. Ivan's hand all contain pictures, artwork, lyrics, poetry, vent, or just scribble it. I am also copying 12GB of data and digitizing software is owned by Ivan and academic medical documents, administrative records, and knick-knacks collection. In addition to private property, the footprints of Ivan I got from Merry boyfriend, Erick his brother, Eben Burgerkill. I also examine dokumetasi television, internet, and print media.
It took three months of Ivan the courage to write, learn, decide the plot, and the framework of historical writing. I share his life story into seven chapters and 92 resource persons who pocketed be interviewed. January 2007 I started writing. It's not easy to dive into the soul Ivan turmoil. I often get carried away emotionally in writing. The most difficult is to write the final part, tells of his illness Ivan to death. I have trouble feeling empathy that is so passionate desire versus the increasingly frail physical condition. I also can not know it was a death.
***
11 November 2007 book Scumbag Myself Beyond Life and Death appeared. This is a biography of the first metal musicians as well as chronicles the early history of writing metal music in Indonesia. I dedicate this book with a fragment of a sentence of Omar Khayyam in Samarkand, "Arise! Eternity to sleep stretched out before us! "Book Scumbag beat the streets with five campaigns: equality, health, collaboration, community dynamics, and documenting life.
Scumbag book was adapted into a semi-documentary film script by Hikmatullah and developed into the two subsequent books, namely "Ujungberung Rebels" and "London underground 1990 - 2015". History book "Rebels Ujungberung" consists of three series of "Memoirs Against Lost", "Journal of Rust", and "Rebels Ujungberung, Dina Panceg strain". Meanwhile, the "underground London 1990-2015" consists of ten series covering the entire history of London to the realm of independent music phenomenon of the rise of the birth of a new musical that explores the desire of traditional art. These books will be published in a guerrilla between 2012 and 2015. Scumbag book itself is now being translated into English and prepared well in French. This should be done as the extent of Ivan heritage Burgerkill-band-in the realm of international metal music.
19 April 2012, when Ivan was still alive will be 34 years old and of course their work will add a new breakthrough, breakthrough in the realm of music Indonesia. Even when he had nothing else works continue to talk about how to successfully build a dynamic passion that continues to regenerate endlessly, across space and time, to this day.
ALONG STREET BANDUNG noisyPosted: May 13, 2012 in UncategorizedTags: BandungBerisik, KarindingAttack0
BY KIMUNG
Noisy London existence can be traced from one wing of the movement's commitment Ujungberung Rebels in 1995, Extreme Noise Grinding (ENG). Established December 31, 1994, ENG is committed to build three basic things for the advancement of metal music Ujungberung: crew, media, and the musical itself. The crew that was formed called the Homeless Crew, consisting of the entire era of the mid-1990s Ujungberung musicians who together learn to understand the arrangement of sounds and organsasi stage to support their comrades band. Own media, which worked to disseminate information about the metal is Ujungberung and Bandung zine Programs or Revograms.Zine Revolution was first published in March 1995 and is predicted as the first zine Indonesia.Sementara, the musical itself, which worked Bandung Homeless Crew is noisy. From the beginning, and Homeelss ENG Crew agreed that if the bands are eligible to show in London is noisy bands that already have songs of their own creation and recording songs in an album, at least demonstrations. This is emphasized in an effort to educate mentally strong musicianship and professionalism among metal musicians Ujungberung. In this commitment, noisy London first and then given the theme of "Bandung Ujungberung Noisy Demo Tour".
Noisy Demo Tour Ujungberung London, The South Field, 23 September 1995
Noisy London in 1995 when the first was held, was hit by a passion Ujungberung sagat hebat.Puluhan musical band with different musical passion was born in sini.Walau dominated death metal, secretly punk, hardcore, pop, hiphop and even appeared late in Ujungberung . The diversity of musical passion continues to be a passion in developing the community, including the cultivation of Homeless Crew, Revograms zine, and of course the performances Bandung noisy.
Small meetings were held since mid-1995 at the residence of Ivan Scumbag who is also the headquarters of ENG. One major obstacle is the lack of fund performance production of the show. Some of the solutions discussed, but always at a stalemate. At that time, in the cultivation of seuah performances, usually collected from the production fund bailouts or community member working group that worked on the show. But this is certainly a big kedala Ujngberung remember children are not typical of rich boys who can easily poured uang.Jangankan to hold joint events and to daily fee course they are always confused.
Bright spots coming in August 1995 from Yayat, Dani Pieces, Agus Sacrilegious, Sam, a friend of The South, Soleh Koeple Kang, and Kang Syaf Memet, the owner of Studio Jackson, the legendary studio where children practice Ujungberung. At that time, his kawang The South that were active in the youth organization Youth Association will hold Agustusan September 23, 1995. This event will be held at night, but Kang Memet reveal if the sound system has been installed since the morning. Heard the statement that, Dinan suggested what if the morning until late afternoon, the sound event is used to bandung Agustusan noisy and entertainment followed by the top Agustusan The South in the evening. Youth officials as well as the Palapa Kang Memet of Studio welcomes spontaneous performances as the sponsor of this idea.
The theme of the performance and agreed "a noisy London Demo Tour" or BB Ikarena this event so arranged as to be recorded live recording effort Ujungberung bands as well as other friends in London. Operational funds to fully fund the program using cash ENG member whose number is very limited while the band's gig in London agreed noisy I was Sacrilegious, bodies, Infamy, Sonic Torment represents Ujungberung; Behead, Full Of Hate, and Insanity representing the music community Park Traffic , Fatal Death Grind represent Cihampelas Ultimatum, and Morbus Corpse and Tympanic Membrane represent London Lunatic Underground.Semua band gig at BB 1 shall bring the songs of creation itself.
BB I publications through pamphlets distributed in the Photocopied hanging UG community and schools in around the City Bandung.Publikasi also aided by bands who took the initiative to create a pamphlet sendiri.Pembuatan BB1 event backdrops image size of 3 x 3 meter still using cloth media canvas, paint and wood of different colors and kuas.Yang drawing is Dinan, Ivan aided, Kimung, and children Ujungberung lainnya.ID card repro committee reproduced by using a camera system and printed at the Palapa Dinan Photo Studio.Semalam BB1 whole range of committees struggling complete all the work, from start to set the stage and sound system that comes from Studio Palapa, to decorate the stage.
BB1 event was held Saturday, September 23 at 10 am 1995.Sejak crowd began to fill the vacant land area of 100 m Kimung used to train the little kids play football in the South The back of the store Kalimas Ujungberung. The land is increasingly crowded by midmorning predominantly young black clothes, surrounded the simple stage with no roof, set decorations with the words "a noisy London Demo Tour".
One by one the band began to perform with maximum. To this day the memory of the appearance of these bands will not be forgotten. All look up with its own characters in the middle of a crowd of about 700an hadir.Sacrilegious such a slaughter of rabbits and drank its blood on stage before the song-lagunya.Atau menggeber Infamy with a featured vocalist Ivan Scumbag brutal.Atau super Sonic Torment provocative with lyrics -lyrics in Sunda.Atau Yadi behom blood streaming down his forehead after a brutal hit Yayat in playing the guitar at the bodies. Or Insanity is the ultimate band as well as the band that became a role model Ujungberung children.
BB I was a commitment Ujungberung children in developing communities. Until then, it was felt important to the performance was held back because of the total work into a vehicle that accommodates children's musical passion Ujungberung metal and Bandung.
Noisy Bandung II, GOR Saparua, July 20, 1997
Era 1996-1997 London underground music community experienced a period of rapid development. The concept of collectivism and do it yourself from a lot of activity is realized in various forms. From start to create a company based indie record label along with the concept of distribution and promotion, media information such as zine-making to the cultivation of musical events that rely on the spirit of great music kolektivisme.Industri when it was hit by the explosion of saturation pasar.Pasca group Slank with Blue-Generation album Slanker community that gave birth to her, automatically when it is no longer a phenomenon beyond the music-media biasa.Media have also become news until it ran out of underground music community with all forms of exploitation of the dynamics of its movement into the material news. Almost all of the media especially the print media is targeted sale of a young child at the time to discuss the phenomenon of underground music movement that occurred primarily in the city of Bandung.
This is obviously a huge impact on the development of underground music at the time that seemed designed to "contemporary music trends." Underground music and finally burst prevalent in almost all major cities in Indonesia especially in Java, so was born the different underground music community in Jakarta, Bali, Surabaya, Malang, Yogyakarta and Medan. Some similar-themed performances was held in crowded cities in the scale as a barometer kecil.Di Bandung underground music, every week GOR Saparua a subscription music events organized by several communities in the city of Bandung. GOR Saparua always filled with a mass underground music that the average age of young who came from various cities in Indonesia. Some are from Medan, Jakarta, Surabaya, Yogyakarta, Malang, and other cities.
Ujungberung own community, post BB signifikan.Melihat I progressed so enthusiastic public on underground music, Homeless Crew decided to roll back to Bandung noisy.
Syahdan, one afternoon in the month of March 1997, at the edge of the highway Ujungberung Bandung meeting held Noisy II (BB II). There are several agenda discussed at the inaugural meeting, which is conducted through the joint funding of community members Ujungberung Rebels, investment funds of Mas Harry HR Production, drafting committees, amounting to sixty people, the determination by the committee chairman and his deputy Yayat Dinan, as well as weight gain commitment II to be used as production costs Ujungberung compilation of bands scheduled to be summarized in a compilation album Ujungberung Rebels.Kelomok BB II work and call themselves Bungur Enterprise.Ditetapkan also twenty-five bands from various musical passion that will appear in BB II, namely Puppen , The body, Turtles Jr., Retribeauty (Surabaya), Trauma (Jakarta), bastard, Disinherit, Blind To See, The Bollocks, Runtah, Anti Septic (New York), Naked Truth, Noise Attack, Hell Gods, Burgerkill, Rotten Corpse, Step Forward (Jakarta), Sonic Torment, Total Riot, Embalmed, Bars, Infamy, Forgotten, Morbus Corpse, and deployed in GOR II Balcony.BB Saparua dated July 20, 1997.
Publication strategy remains the same as the BB I with the quality of poster that is now much better, printed by HR Productions. BB II also gives freedom to the bands that appear to make their publications media event sendiri.Selain help publications, these activities also foster a sense of belonging among Bandung noisy bands tampil.Revograms also helped through the issuance of publications Revograms BB II III and IV by the Homeless Crew.Akhirnya BB II digelar.Imbas success of these performances are very real, that is to release a compilation Ujungberung Rebels who later changed the title to the Independent Rebels (Independent Records, 1998). Since the release of this compilation, Ujungberung community then known as ENG or Homeless komuniats Crew became known also as the Rebels Ujungberung metal music community.
Noisy III Bandung, Gor Saparua, 7 April 2002
Era of the late 1990s and early 2000s, musical performances in Bandung increasingly crowded, but unfortunately not accompanied by the development of quality pertunjukan.Panggung the quality is not maintained, both in stage management, and quality of sound that seem generalized, which as a result, the performance of the bands general in London participated in the service turun.Kualitas spectators were treated to performances just a normal band, a makeshift stage decoration and the comfort and safety factors are not taken seriously is also highly educated musical komunitas.Tipikal still give priority to quantity than quality band . average band event featuring over 15 bands to 30 bands and even up to the event to be monotonous and boring.
For this reason, Ujungberung Rebels make a commitment to hold a noisy Bandung totally different from the performances in general. The emergence of young underground music will also reinforce the commitment of awareness among Ujungberung Rebels documentation. Documentation that not only saved but also ditamplkan. Therefore, BB III then dipersiapkans sa well as playback performance documentation bands that appear on this event. BB III also show a little band, only twelve bands that appear and thus, each band can perform optimally. The concept stage is made to resemble the free fighting ring, complete with a fence wire ram stage. Injection of funds, especially coming from the trio Mbie, Napi's Word Records, and Arin.
For documentaries, Addy Gembel penggarapannya entrusted to Lela and his performances berlangsung.Acara kawan.Film played during the afternoon went well and the audience the more recent memadati.Data number of spectators were present at the time it reached 10,000 penonton.Padahal GOR capacity Saparua can only accommodate 5000 spectators penonton.Terjadi buildup outside the GOR Saparua kerawanan.Sempat cause a variety of commotion involving the action occurs that forces the audience to break into the side door with the security line Baby Riot War Machine Squad.Beberapa people from the Baby Riot War Machine Squad even had injuries from beatings and throwing actions undertaken by the audience.
Although overall pertujukan on stage smoothly, but inevitably result in GOR Saparua crowded audience, resulting in a lot of spectators who fainted during the course of acara.Data audience reach 200 people fainted during the show, plus a number of phenomena which possessed an audience or spectators kesurupan.Satu seriously injured and had to be evacuated to the hospital. The event was also the last stage of Sacrilegious band broke up before they declare themselves.
Noisy III Bandung gain success. However, there are some important points that marked the children Ujungberung Rebels as the major constraints that inhibit the production process noisy III Bandung. Berbelitnya the bureaucracy of licensing GOR Saparua result of land ownership disputes dipingpong utama.Panitia factor between the municipal government, and tentara.Aksi Pemrov ticket brokering and thuggery is equally disturbing in the current set penonton.Selama committee event was very well if the capacity and safety of the GOR Saparua is no longer used as a viable theater musik.Namun so, despite all these obstacles, noisy III Bandung successful course besar.Dua the parameter is used to return the investors' money under the agreement and the end of the event safely and do not place things that give rise to vulnerability.
IV Bandung noisy "Ka Heaven!" Open Air Rock Festival August 10, 2003
Post-event 3 Bandung noisy place many significant changes in our local communities, especially the extreme music community in East London area. Areas such as Cicadas, Cicaheum, Sindanglaya, Cibiru, Cileunyi, Jatinangor, Rancaekek, Cicalengka and Tanjungsari dared to hold the event of extreme music with the same concept that is showing the potential of music from the local community. Starting from August's level events to events that are specific to the type of music tertentu.Bahkan impact starting to look the other towns around the West Java. The names of the event was created to show the identity of the city of origin. For example Sukabumi quivered, Cianjur Buttcrack and others.
The development of extreme music that is so rapidly in the east London area and towns around the West Java and Indonesia in general at that time re-inspire the community to hold back Ujungberung Rebels Bandung noisy events. This time the concept is tur.Pembicaraan towards the start often do. Original concept was to bring the band from touring seven Ujungberung and collaborated with three bands from the local communities served by the city. Band plan that will be taken the tour is Burgerkill, bars, Forgotten, Bodies, Disinfected, The Cruels and Dinning Out. Nine cities in West Java, BB goal IV. Agenda that has been recorded tour September 2002 is 1 September 2002 in Sumedang, 8 September 2002 in Cianjur, 15 September 2002 in Main Page, 22 September 2002 in Tasikmalaya, and 29 September 2002 in Cirebon.Adapun in October 2002, recorded October 6, 2002 in Sukabumi, October 13, 2002 in Purwakarta, October 20, 2002 in Calcutta, and October 27, 2002 in Bogor. Naun funding problems become major obstacles that make BB IV nevertheless held as scheduled.
BB IV early 2003 will be held back by the drafter trash Addy, Man's body, and Mbie. BB simpler IV will be held at the bakery area Aracamanik, Ujungberung. The idea is of course strongly opposed by Yayat.Dalam Yayat view, BB has been running so epic and should be maintained even added kualitasnya.Ia strongly disagree if the BB held in makeshift conditions. IV BB eventually agreed to be held in the larger scope of performances, held at the Arsenal Stadium on August 10, 2003 to coincide with the event Soundrenalin. Yayat insists he did not care about the event clashed with Soundrenalin because he was very sure BB will be responded to more massive. This performance was megakar in children's metal music and all would come to BB than to Soundrenalin.
To pursue quality BB IV, transformed by setting committees as chairman and Addy Andris trash as a representative. In addition, investors and raise funds through sponsors do. Cooperation also continues to be fostered to the Arsenal board and Viking London Heru Joko, and the Government of Bandung, then mayor Aa Tarmana to permit use of the Arsenal Stadium. Bands that appear in BB IV is Burgerkill, Balcony, Infamy, Bars, Jr. Turtles, Mud, Forgotten, Dinning Out, Virus, The body, Geboren, Rocket Rockers, Crusade, The Cruels, and Torment in Bury. The stage aan built 45 X 20 m, with two drums on stage left and stage right, 100,000 watts of sound, 100 meters barricades, two generators, and an army of baby Riot Assault War Machine, Tamara Fitness, Viking Arsenal, and Yon Zipur Ujungberung as keamanan.Promo crew performed the massif to the manufacture of a special ad for broadcast on radio, printed pamphlets, until the manufacture of a pamphlet by the band's tampil.Sementara Madi and Irvine acted as MC of the event.
BB IV were held promptly at 11 noon, to accommodate 25 thousand audience who come from Medan, Sulawesi, Kalimantan, some cities in Central Java and East Java, Jakarta, West Java and, of course. Variety of audiences distinctive attitude of the various musical passion is shown in BB IV, which obviously did not run out of energy to the audience like a pogo, headbang, slamdance, moshing, until the show ended at 22:15 closed by the band Virus.
Two days after the completion of the committee on investor evaluasi.Semua obligations have been implemented on time with nilaisesuai agreement. After the last audited net profit value is Rp.16.000 BB IV, 00. The money was by the chairman Andris Garpit bought a pack and two cups of coffee to all ranks of the committee are present. Diinfakkan belanjanyanya return to the mosque charity box.
London Rebel Meets Rebel V Noisy, June 11, 2011
After BB IV, children Ujungberung Rebels lost in the bustle of each band. BB mat several times discussed the plan in a circle in Ujungberung Rebels, but always mentah.Pasca tragedy AACC February 9, 2008, even had formed two committees held by the duo's first BB.Yang Yayat - Jemi and the second held by the duo of Bebi - Addy Gembel . Both committees also failed to execute the performances tremendous rush BB.Selain of each character Ujungberung Rebels, demands improvement in the quality and quantity of BB is also a thing that continues to be pursued.
BB bright spots begin to appear when Gio-nephew of Kang-Ujungberung Palapa Memet Studio volunteered to meggarap organizernya BB through the event, roof Promotion, beginning in 2011. It comes with all the spectacular concept, agreed to meet some other concept proposed Ujungberung Rebels, and is fully committed to the BB raised the level of social interaction is more extensive in the city of Bandung and also Indonesia. With a broad vision and funding plan that is mature, BB V eventually began to run by the Rebels and the roof Ujungberung Promotion.
V BB concept is the outdoor concert stage with great support, great lighting, 250 000-watt sound system, and applied the concept of decent performances by show business standards. It summarizes the arrangements that had been compiled dramatic events from the beginning, the middle of the show, until the climax is set sespektakuler possible. Bands that carry heavy loads memungkas climax of this performance is Burgerkill who was admittedly still in the forefront of metal music progress Indonesia. BB Burgerkill V displays, bodies, Forgotten, grin, Disinfected, Bleeding Corpse, Outright, Communal, Rosemary, Bars, Down for Life, Beside, Tcukimay, Critical Defacement Warning, Turbidity, Infamy, husky, Godless Symptoms, Screaming Factor, Accountability, and Cranial Incisored. In keeping with the rhythm of performance and comfort of the audience, the committee compiled a variety of rules and guidelines booklet issued a show for the audience.
Also noteworthy is that the BB V continues the tradition that began in BB IV, where the Rebels Ujungberung-escorted by a roof-Promotion continue to maintain cooperation with various parties in penyelenggarapaannya. In a series of preproduction BB, meetings with the government officials, legislators, police, and soldiers had been building.
30 000 recorded an audience of more to come buy a ticket BB held on June 11, 2011 Brigif Cimahi it. The next day, BB dominate media headlines locally and nationally and for two weeks and then continued to talk of the media. Until now, the legacy of the Bandung noisy as the most legendary musical performances continue to the fore.
Maximum Aggression noisy VI Bandung, 18 & May 19, 2012
V noisy after Bandung, Ujungberung Rebels and Promotion roof immediately prepare for performances Bandung noisy VI. Sepajang 2011 and early 2012 continues preparations including the recruitment of workers who work on the BB IV.1000 more workers have been recruited, prepared to work on the BB VI.Kru continue to be prepared to take the spirit of passionate work Ujungberung Rebels.Kebanyakan taken from Bandung young people to sharpen noisy as the moment of regeneration and improvement of the quality of the community.
Maximum Aggression was chosen to be the theme of the BB VI considering the broader realm of social dynamics and complexity of developing a more inclusive community music and the spirit integratif.Karena strong performance with the feel of diversity continues to be driven to achieve the highest appreciation for music and the desire to break down the desire differences that had existed as if on the shelves in CD sales.
BB VI held on 18 and May 19, 2012 at the Air Field Solomon Bandung.Perkiraan audience that will attend to more than 30,000, is dominated by young children-once again-will further sharpen the performance as a function of learning the most effective media for the empowerment potential of community and regeneration for a better tomorrow.
BY KIMUNG
Noisy London existence can be traced from one wing of the movement's commitment Ujungberung Rebels in 1995, Extreme Noise Grinding (ENG). Established December 31, 1994, ENG is committed to build three basic things for the advancement of metal music Ujungberung: crew, media, and the musical itself. The crew that was formed called the Homeless Crew, consisting of the entire era of the mid-1990s Ujungberung musicians who together learn to understand the arrangement of sounds and organsasi stage to support their comrades band. Own media, which worked to disseminate information about the metal is Ujungberung and Bandung zine Programs or Revograms.Zine Revolution was first published in March 1995 and is predicted as the first zine Indonesia.Sementara, the musical itself, which worked Bandung Homeless Crew is noisy. From the beginning, and Homeelss ENG Crew agreed that if the bands are eligible to show in London is noisy bands that already have songs of their own creation and recording songs in an album, at least demonstrations. This is emphasized in an effort to educate mentally strong musicianship and professionalism among metal musicians Ujungberung. In this commitment, noisy London first and then given the theme of "Bandung Ujungberung Noisy Demo Tour".
Noisy Demo Tour Ujungberung London, The South Field, 23 September 1995
Noisy London in 1995 when the first was held, was hit by a passion Ujungberung sagat hebat.Puluhan musical band with different musical passion was born in sini.Walau dominated death metal, secretly punk, hardcore, pop, hiphop and even appeared late in Ujungberung . The diversity of musical passion continues to be a passion in developing the community, including the cultivation of Homeless Crew, Revograms zine, and of course the performances Bandung noisy.
Small meetings were held since mid-1995 at the residence of Ivan Scumbag who is also the headquarters of ENG. One major obstacle is the lack of fund performance production of the show. Some of the solutions discussed, but always at a stalemate. At that time, in the cultivation of seuah performances, usually collected from the production fund bailouts or community member working group that worked on the show. But this is certainly a big kedala Ujngberung remember children are not typical of rich boys who can easily poured uang.Jangankan to hold joint events and to daily fee course they are always confused.
Bright spots coming in August 1995 from Yayat, Dani Pieces, Agus Sacrilegious, Sam, a friend of The South, Soleh Koeple Kang, and Kang Syaf Memet, the owner of Studio Jackson, the legendary studio where children practice Ujungberung. At that time, his kawang The South that were active in the youth organization Youth Association will hold Agustusan September 23, 1995. This event will be held at night, but Kang Memet reveal if the sound system has been installed since the morning. Heard the statement that, Dinan suggested what if the morning until late afternoon, the sound event is used to bandung Agustusan noisy and entertainment followed by the top Agustusan The South in the evening. Youth officials as well as the Palapa Kang Memet of Studio welcomes spontaneous performances as the sponsor of this idea.
The theme of the performance and agreed "a noisy London Demo Tour" or BB Ikarena this event so arranged as to be recorded live recording effort Ujungberung bands as well as other friends in London. Operational funds to fully fund the program using cash ENG member whose number is very limited while the band's gig in London agreed noisy I was Sacrilegious, bodies, Infamy, Sonic Torment represents Ujungberung; Behead, Full Of Hate, and Insanity representing the music community Park Traffic , Fatal Death Grind represent Cihampelas Ultimatum, and Morbus Corpse and Tympanic Membrane represent London Lunatic Underground.Semua band gig at BB 1 shall bring the songs of creation itself.
BB I publications through pamphlets distributed in the Photocopied hanging UG community and schools in around the City Bandung.Publikasi also aided by bands who took the initiative to create a pamphlet sendiri.Pembuatan BB1 event backdrops image size of 3 x 3 meter still using cloth media canvas, paint and wood of different colors and kuas.Yang drawing is Dinan, Ivan aided, Kimung, and children Ujungberung lainnya.ID card repro committee reproduced by using a camera system and printed at the Palapa Dinan Photo Studio.Semalam BB1 whole range of committees struggling complete all the work, from start to set the stage and sound system that comes from Studio Palapa, to decorate the stage.
BB1 event was held Saturday, September 23 at 10 am 1995.Sejak crowd began to fill the vacant land area of 100 m Kimung used to train the little kids play football in the South The back of the store Kalimas Ujungberung. The land is increasingly crowded by midmorning predominantly young black clothes, surrounded the simple stage with no roof, set decorations with the words "a noisy London Demo Tour".
One by one the band began to perform with maximum. To this day the memory of the appearance of these bands will not be forgotten. All look up with its own characters in the middle of a crowd of about 700an hadir.Sacrilegious such a slaughter of rabbits and drank its blood on stage before the song-lagunya.Atau menggeber Infamy with a featured vocalist Ivan Scumbag brutal.Atau super Sonic Torment provocative with lyrics -lyrics in Sunda.Atau Yadi behom blood streaming down his forehead after a brutal hit Yayat in playing the guitar at the bodies. Or Insanity is the ultimate band as well as the band that became a role model Ujungberung children.
BB I was a commitment Ujungberung children in developing communities. Until then, it was felt important to the performance was held back because of the total work into a vehicle that accommodates children's musical passion Ujungberung metal and Bandung.
Noisy Bandung II, GOR Saparua, July 20, 1997
Era 1996-1997 London underground music community experienced a period of rapid development. The concept of collectivism and do it yourself from a lot of activity is realized in various forms. From start to create a company based indie record label along with the concept of distribution and promotion, media information such as zine-making to the cultivation of musical events that rely on the spirit of great music kolektivisme.Industri when it was hit by the explosion of saturation pasar.Pasca group Slank with Blue-Generation album Slanker community that gave birth to her, automatically when it is no longer a phenomenon beyond the music-media biasa.Media have also become news until it ran out of underground music community with all forms of exploitation of the dynamics of its movement into the material news. Almost all of the media especially the print media is targeted sale of a young child at the time to discuss the phenomenon of underground music movement that occurred primarily in the city of Bandung.
This is obviously a huge impact on the development of underground music at the time that seemed designed to "contemporary music trends." Underground music and finally burst prevalent in almost all major cities in Indonesia especially in Java, so was born the different underground music community in Jakarta, Bali, Surabaya, Malang, Yogyakarta and Medan. Some similar-themed performances was held in crowded cities in the scale as a barometer kecil.Di Bandung underground music, every week GOR Saparua a subscription music events organized by several communities in the city of Bandung. GOR Saparua always filled with a mass underground music that the average age of young who came from various cities in Indonesia. Some are from Medan, Jakarta, Surabaya, Yogyakarta, Malang, and other cities.
Ujungberung own community, post BB signifikan.Melihat I progressed so enthusiastic public on underground music, Homeless Crew decided to roll back to Bandung noisy.
Syahdan, one afternoon in the month of March 1997, at the edge of the highway Ujungberung Bandung meeting held Noisy II (BB II). There are several agenda discussed at the inaugural meeting, which is conducted through the joint funding of community members Ujungberung Rebels, investment funds of Mas Harry HR Production, drafting committees, amounting to sixty people, the determination by the committee chairman and his deputy Yayat Dinan, as well as weight gain commitment II to be used as production costs Ujungberung compilation of bands scheduled to be summarized in a compilation album Ujungberung Rebels.Kelomok BB II work and call themselves Bungur Enterprise.Ditetapkan also twenty-five bands from various musical passion that will appear in BB II, namely Puppen , The body, Turtles Jr., Retribeauty (Surabaya), Trauma (Jakarta), bastard, Disinherit, Blind To See, The Bollocks, Runtah, Anti Septic (New York), Naked Truth, Noise Attack, Hell Gods, Burgerkill, Rotten Corpse, Step Forward (Jakarta), Sonic Torment, Total Riot, Embalmed, Bars, Infamy, Forgotten, Morbus Corpse, and deployed in GOR II Balcony.BB Saparua dated July 20, 1997.
Publication strategy remains the same as the BB I with the quality of poster that is now much better, printed by HR Productions. BB II also gives freedom to the bands that appear to make their publications media event sendiri.Selain help publications, these activities also foster a sense of belonging among Bandung noisy bands tampil.Revograms also helped through the issuance of publications Revograms BB II III and IV by the Homeless Crew.Akhirnya BB II digelar.Imbas success of these performances are very real, that is to release a compilation Ujungberung Rebels who later changed the title to the Independent Rebels (Independent Records, 1998). Since the release of this compilation, Ujungberung community then known as ENG or Homeless komuniats Crew became known also as the Rebels Ujungberung metal music community.
Noisy III Bandung, Gor Saparua, 7 April 2002
Era of the late 1990s and early 2000s, musical performances in Bandung increasingly crowded, but unfortunately not accompanied by the development of quality pertunjukan.Panggung the quality is not maintained, both in stage management, and quality of sound that seem generalized, which as a result, the performance of the bands general in London participated in the service turun.Kualitas spectators were treated to performances just a normal band, a makeshift stage decoration and the comfort and safety factors are not taken seriously is also highly educated musical komunitas.Tipikal still give priority to quantity than quality band . average band event featuring over 15 bands to 30 bands and even up to the event to be monotonous and boring.
For this reason, Ujungberung Rebels make a commitment to hold a noisy Bandung totally different from the performances in general. The emergence of young underground music will also reinforce the commitment of awareness among Ujungberung Rebels documentation. Documentation that not only saved but also ditamplkan. Therefore, BB III then dipersiapkans sa well as playback performance documentation bands that appear on this event. BB III also show a little band, only twelve bands that appear and thus, each band can perform optimally. The concept stage is made to resemble the free fighting ring, complete with a fence wire ram stage. Injection of funds, especially coming from the trio Mbie, Napi's Word Records, and Arin.
For documentaries, Addy Gembel penggarapannya entrusted to Lela and his performances berlangsung.Acara kawan.Film played during the afternoon went well and the audience the more recent memadati.Data number of spectators were present at the time it reached 10,000 penonton.Padahal GOR capacity Saparua can only accommodate 5000 spectators penonton.Terjadi buildup outside the GOR Saparua kerawanan.Sempat cause a variety of commotion involving the action occurs that forces the audience to break into the side door with the security line Baby Riot War Machine Squad.Beberapa people from the Baby Riot War Machine Squad even had injuries from beatings and throwing actions undertaken by the audience.
Although overall pertujukan on stage smoothly, but inevitably result in GOR Saparua crowded audience, resulting in a lot of spectators who fainted during the course of acara.Data audience reach 200 people fainted during the show, plus a number of phenomena which possessed an audience or spectators kesurupan.Satu seriously injured and had to be evacuated to the hospital. The event was also the last stage of Sacrilegious band broke up before they declare themselves.
Noisy III Bandung gain success. However, there are some important points that marked the children Ujungberung Rebels as the major constraints that inhibit the production process noisy III Bandung. Berbelitnya the bureaucracy of licensing GOR Saparua result of land ownership disputes dipingpong utama.Panitia factor between the municipal government, and tentara.Aksi Pemrov ticket brokering and thuggery is equally disturbing in the current set penonton.Selama committee event was very well if the capacity and safety of the GOR Saparua is no longer used as a viable theater musik.Namun so, despite all these obstacles, noisy III Bandung successful course besar.Dua the parameter is used to return the investors' money under the agreement and the end of the event safely and do not place things that give rise to vulnerability.
IV Bandung noisy "Ka Heaven!" Open Air Rock Festival August 10, 2003
Post-event 3 Bandung noisy place many significant changes in our local communities, especially the extreme music community in East London area. Areas such as Cicadas, Cicaheum, Sindanglaya, Cibiru, Cileunyi, Jatinangor, Rancaekek, Cicalengka and Tanjungsari dared to hold the event of extreme music with the same concept that is showing the potential of music from the local community. Starting from August's level events to events that are specific to the type of music tertentu.Bahkan impact starting to look the other towns around the West Java. The names of the event was created to show the identity of the city of origin. For example Sukabumi quivered, Cianjur Buttcrack and others.
The development of extreme music that is so rapidly in the east London area and towns around the West Java and Indonesia in general at that time re-inspire the community to hold back Ujungberung Rebels Bandung noisy events. This time the concept is tur.Pembicaraan towards the start often do. Original concept was to bring the band from touring seven Ujungberung and collaborated with three bands from the local communities served by the city. Band plan that will be taken the tour is Burgerkill, bars, Forgotten, Bodies, Disinfected, The Cruels and Dinning Out. Nine cities in West Java, BB goal IV. Agenda that has been recorded tour September 2002 is 1 September 2002 in Sumedang, 8 September 2002 in Cianjur, 15 September 2002 in Main Page, 22 September 2002 in Tasikmalaya, and 29 September 2002 in Cirebon.Adapun in October 2002, recorded October 6, 2002 in Sukabumi, October 13, 2002 in Purwakarta, October 20, 2002 in Calcutta, and October 27, 2002 in Bogor. Naun funding problems become major obstacles that make BB IV nevertheless held as scheduled.
BB IV early 2003 will be held back by the drafter trash Addy, Man's body, and Mbie. BB simpler IV will be held at the bakery area Aracamanik, Ujungberung. The idea is of course strongly opposed by Yayat.Dalam Yayat view, BB has been running so epic and should be maintained even added kualitasnya.Ia strongly disagree if the BB held in makeshift conditions. IV BB eventually agreed to be held in the larger scope of performances, held at the Arsenal Stadium on August 10, 2003 to coincide with the event Soundrenalin. Yayat insists he did not care about the event clashed with Soundrenalin because he was very sure BB will be responded to more massive. This performance was megakar in children's metal music and all would come to BB than to Soundrenalin.
To pursue quality BB IV, transformed by setting committees as chairman and Addy Andris trash as a representative. In addition, investors and raise funds through sponsors do. Cooperation also continues to be fostered to the Arsenal board and Viking London Heru Joko, and the Government of Bandung, then mayor Aa Tarmana to permit use of the Arsenal Stadium. Bands that appear in BB IV is Burgerkill, Balcony, Infamy, Bars, Jr. Turtles, Mud, Forgotten, Dinning Out, Virus, The body, Geboren, Rocket Rockers, Crusade, The Cruels, and Torment in Bury. The stage aan built 45 X 20 m, with two drums on stage left and stage right, 100,000 watts of sound, 100 meters barricades, two generators, and an army of baby Riot Assault War Machine, Tamara Fitness, Viking Arsenal, and Yon Zipur Ujungberung as keamanan.Promo crew performed the massif to the manufacture of a special ad for broadcast on radio, printed pamphlets, until the manufacture of a pamphlet by the band's tampil.Sementara Madi and Irvine acted as MC of the event.
BB IV were held promptly at 11 noon, to accommodate 25 thousand audience who come from Medan, Sulawesi, Kalimantan, some cities in Central Java and East Java, Jakarta, West Java and, of course. Variety of audiences distinctive attitude of the various musical passion is shown in BB IV, which obviously did not run out of energy to the audience like a pogo, headbang, slamdance, moshing, until the show ended at 22:15 closed by the band Virus.
Two days after the completion of the committee on investor evaluasi.Semua obligations have been implemented on time with nilaisesuai agreement. After the last audited net profit value is Rp.16.000 BB IV, 00. The money was by the chairman Andris Garpit bought a pack and two cups of coffee to all ranks of the committee are present. Diinfakkan belanjanyanya return to the mosque charity box.
London Rebel Meets Rebel V Noisy, June 11, 2011
After BB IV, children Ujungberung Rebels lost in the bustle of each band. BB mat several times discussed the plan in a circle in Ujungberung Rebels, but always mentah.Pasca tragedy AACC February 9, 2008, even had formed two committees held by the duo's first BB.Yang Yayat - Jemi and the second held by the duo of Bebi - Addy Gembel . Both committees also failed to execute the performances tremendous rush BB.Selain of each character Ujungberung Rebels, demands improvement in the quality and quantity of BB is also a thing that continues to be pursued.
BB bright spots begin to appear when Gio-nephew of Kang-Ujungberung Palapa Memet Studio volunteered to meggarap organizernya BB through the event, roof Promotion, beginning in 2011. It comes with all the spectacular concept, agreed to meet some other concept proposed Ujungberung Rebels, and is fully committed to the BB raised the level of social interaction is more extensive in the city of Bandung and also Indonesia. With a broad vision and funding plan that is mature, BB V eventually began to run by the Rebels and the roof Ujungberung Promotion.
V BB concept is the outdoor concert stage with great support, great lighting, 250 000-watt sound system, and applied the concept of decent performances by show business standards. It summarizes the arrangements that had been compiled dramatic events from the beginning, the middle of the show, until the climax is set sespektakuler possible. Bands that carry heavy loads memungkas climax of this performance is Burgerkill who was admittedly still in the forefront of metal music progress Indonesia. BB Burgerkill V displays, bodies, Forgotten, grin, Disinfected, Bleeding Corpse, Outright, Communal, Rosemary, Bars, Down for Life, Beside, Tcukimay, Critical Defacement Warning, Turbidity, Infamy, husky, Godless Symptoms, Screaming Factor, Accountability, and Cranial Incisored. In keeping with the rhythm of performance and comfort of the audience, the committee compiled a variety of rules and guidelines booklet issued a show for the audience.
Also noteworthy is that the BB V continues the tradition that began in BB IV, where the Rebels Ujungberung-escorted by a roof-Promotion continue to maintain cooperation with various parties in penyelenggarapaannya. In a series of preproduction BB, meetings with the government officials, legislators, police, and soldiers had been building.
30 000 recorded an audience of more to come buy a ticket BB held on June 11, 2011 Brigif Cimahi it. The next day, BB dominate media headlines locally and nationally and for two weeks and then continued to talk of the media. Until now, the legacy of the Bandung noisy as the most legendary musical performances continue to the fore.
Maximum Aggression noisy VI Bandung, 18 & May 19, 2012
V noisy after Bandung, Ujungberung Rebels and Promotion roof immediately prepare for performances Bandung noisy VI. Sepajang 2011 and early 2012 continues preparations including the recruitment of workers who work on the BB IV.1000 more workers have been recruited, prepared to work on the BB VI.Kru continue to be prepared to take the spirit of passionate work Ujungberung Rebels.Kebanyakan taken from Bandung young people to sharpen noisy as the moment of regeneration and improvement of the quality of the community.
Maximum Aggression was chosen to be the theme of the BB VI considering the broader realm of social dynamics and complexity of developing a more inclusive community music and the spirit integratif.Karena strong performance with the feel of diversity continues to be driven to achieve the highest appreciation for music and the desire to break down the desire differences that had existed as if on the shelves in CD sales.
BB VI held on 18 and May 19, 2012 at the Air Field Solomon Bandung.Perkiraan audience that will attend to more than 30,000, is dominated by young children-once again-will further sharpen the performance as a function of learning the most effective media for the empowerment potential of community and regeneration for a better tomorrow.
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