CORROSION JOURNAL # 96, 25 November 2011, rusty behind: RECORDING SESSION: KARTA & KartoPosted: December 4, 2011 in UncategorizedTags: Karinding ATTACK0
CORROSION JOURNAL # 96, 25 November 2011, rusty behind: RECORDING SESSION: KARTA & Karto
CORROSION JOURNAL # 96, 25 November 2011, rusty behind: RECORDING SESSION: KARTA & Karto
By Jon 666
19 November, Saturday, at the Karat Sasaka Birthday
Rust appeared this afternoon in Sasaka birthday in Lembang. Truly a wonderful event with uma Karinding very much welcome there Karat. Rahayu Lembang! Rahayu sasaka! HAPPY BIRTHDAY MAY SASAKA RAHAYU ALWAYS FOREVER, ameen!
21 November, Monday, Rustic behind Part 3: Common Room Rehearsal Session with Kang Noey Java Jive
Agenda for this exercise is sharing session Karat musical arrangement for "behind." To that end, the producers invited Karat Peterpan, Kang Noey, to attend and give wwasan the arrangements that have been built. Karat then practiced since three o'clock. Arrangements are progressing rapidly Karinding. Remarkable cooperation and Mang Ki Amenk Vishnu in memnagun Karinding arrangement for this song. Duet tabeuh Karinding use (let's call it the karta) with Karinding towel (let's call it the Karto) actually managed to show a nice dialog with the same pattern at all strange, unique, unexpected, and certainly cool! There are currently no arrangements karta & Karto like this, and for that Karat and Ki Amenk, personally, very grateful to Asep Nata who introduced Karto to Karat at a very appropriate time. Arrangement dialog karta & Karto "behind" are arranged in a simple pattern and placed in some place that can be selected simultaneously pursue feature Karinding sound track emotional nuance. Kudos again to Amenk vs Ki. Vishnu has this cool megaransemen dialogue!
Meanwhile, in a session zither and flute, pirigan and jugs pattern is already established, but it still will be brought to the giddy mood of the song in which the respective amsing waditra. However, security arrangements and inflatable sessions Karat has been pretty steady at that time. Asep Nata are also present at this session to provide input to further explore the Hendra tepakan and gong zither is a typical plop itself. Hendra meinta Kimung also further explore the wasp stringed zither that he will play in the session gong zither.
Hours limasore, Kang Noey come in the Common Room. Soon he was joined in this latihn session. We all talk to each other in a circle, each view of each individual to hear what the songs are worked out. Rust has two options to express their own arrangements, the first fill out the nuances of songs, and other arrangements play mangubah Peterpan and played several instruments on the demo with waditra Peterpan-waditra Karat. Kang himself freed Noey Karat building "behind" in accordance with the will of Karat. But he memita for Karat aransmennya record to be heard together and memeinta Ariel views. Ariel was instrumental in this collaborative process and it should continue to be notified about the progress of this project.
Then the recording schedule was determined. Karat Karat agreed to record a demo-Shakira "behind" the next day, Tuesday, at the Common Room studio. For that Karat asking for help Gigi - Indra record for the demo. Teeth provide a tape recorder to be used portablenya Karat. senses agreed to act as engineer.
Hajar!
22 November, Tuesday, Rustic behind Part 4: Common Room Recording Session
Recording is scheduled to begin today eleven o'clock, but a new start at half past one. Papay take the first turn celempung jointly and severally as he had to go see his mother and the prospective in-laws. Papay is being excited because deg-degannya fortnight he married again and everything should continue to be prepared from now. Mang Papay spirit! Papay to quickly resolve the celempungnya. Arrangement celempung papay fairly economical. He simply followed the taiko drum pattern and build mutually game just plop in the middle and end of course. Papay Kimung rate is still less give the feel of the game celempung rentengnya to fill this song. Papay promised to come back at night and filling pattern was lacking.
Hendra then fill part of the song. He played a slap arrangement and combination of strings and gongs celempungnya. Hendra complete recordings quickly and turn the record celempungnya Kimung now. In contrast to Hendra, Kimung fill the session by setting the amount of blocking gong zither, Molly. Kimung also be completed quickly rekamnnya session. However, when reviewed, the results were less than the maximum. Kimung celempung pattern and hendra tend to accumulate, many fall at the same wasp. Usually arrangements celempungan Kimung & Hendra was always falling in different places so very tightly and complement each other. For that Kimung request Hendra rearranging celempungnya pattern so as not to accumulate in the background was built celempung ovary. Hendra said, okay.
Karinding turn now recorded. Ki Amenk and Jawis each session they completed quickly. Re-submitted to salute those who have been so solid this build aransmenen. Flute also recorded quickly. Jimbot have a lot of game patterns danPadang blend of Sunda, between a small flute, flute major, Saluang, and flute. He had recorded some compositions are then selected two versions of the inflatable games. Yuki also fill Saluang to underlie permaianan Jimbot Sundanese flute.
Demo soon worked by Indra in his house to be completed tomorrow morning and taken to Ariel to be discussed. Karat is scheduled to tape on Friday shift 1 and 2 at Studio Masterplan, East Course, Ujungberung, the operator Uki and Byan. Hajar continues!
23 November, Wednesday, Rustic behind Part 5: Ariel and the "Star in Heaven", Karat in Maja House
That afternoon, Ariel looks bright. He enthusiastically welcomed as represented by Kimung Karat, Vishnu, Man, and Ardi Promotion of roof. Shirted collar and faded blue jeans celama Karat he invited to sit around 'desk.' And she excitedly greeted the news and the progress of cultivation of the arrangements Karat "behind me." He is also especially Vishnu who turned out to greet the first class in high school theme 23Bandung. Immediately place a warm conversation, and eventually all listen to a recorded demo Karat previous day. This demo is very simple, of course, but enough to handle just the design or evaluation of materials is more solid governance arrangements.
Two to three times the replay Ariel demo and he marked some things. He was very interested in the arrangement Karinding Ki Amenk and Vishnu and wanted menonjokan Karinding more of this arrangement in the song. He considered Karinding arrangements in this song too thrifty and he wants Karinding also played in the earlier parts of the song. Karinding is simply laid out in the intro, middle, and end the song. Vishnu told Ariel that present arrangements are beginning to play Karinding continue along the track, but he and Ki Amenk karindingnya worry too crowded. Ariel then play a few songs and reveal the layout and game-bagain Karinding in part can be a little bit, but they can provide unique effects Karinding that is unique to the listener. Ariel is also considered that game distilled, Saluang, and flute on this song still seem hesitant and asked that arrangements be worked more loose and free.
Furthermore Ariel also assess if the songs are more fitting for cultivation Karat says is "Stars in Heaven." He considered the arrangements of "Stars in Heaven" is a very attractive fit with Karat which is playing in the aura. "Stars in Heaven" also provides a broad spaces for exploration permaianan Karat, either in session brass, percussion instrument, and even Karinding. He seemed very enthusiastic when Karat also proved to have the same feelings. Soon they were playing "Stars in Heaven" while playing this song Karinding fill. Quickly, it turned out the basic arrangements can be resolved by Karat Karinding immediately. Ariel gave a demo "Stars in Heaven" to Karat and Karat asked, if not mind, to make arrangements well in the song. Rust of course welcome Ariel demand. In the midst of conversation, come Kang Mang Ridwan kamil-or-Emil who also came to see Ariel. The more intimate atmosphere trasa remember Mang Emil certainly not someone else for Karat. Unfortunately, at half past three Kimung have to go back to school to train children to play Axis SMP Young Scholar Karinding to appear the next day at the opening of the Green Fest 2011.
Soon, Uki and Dragonflies Java Jive come. Ariel sgera expressed his desire to Uki for Karat digarat song transformed into "Stars in Heaven." But Uki reveal if this song has been processed and the percussion is the way to record their part in "Stars in Heaven." Ariel finally agreed to try to fill Rust " behind me "first.
Rust itself is more likely to choose the "Star in Heaven" because it is more suited to the character of Karat. However, Karat assess material "behind" no less powerful. With the right composition, this song will also have the same power to break down the "Stars in Heaven." However, Karat also promised to continue to try to work on Ariel "Stars in Heaven."
24 November, Thursday, Cekas Welcome!
Papay performed with Cekas, at the opening of the Green Fest 2011. Cekas is a band built Kimugn because it consists of children Axis junior class in which the Young Scholar and rekannnya Kimung Fifi into homeroom. Papay initially brought zither and Karinding for Young Scholar SMP project portfolio. Waditra-waditra soon explored these children SMP Young Scholar and somehow, the passion play Karinding suddenly swelled, especially in children Axis. They agreed to join a music group and perform at the event Karinding Minggon Young Scholar Sunda people of later days. Suddenly, Mr. Yogi notify the principal of these children if they could show the possibility of opening the Green Fest in Monument PerjuanganBandung. These kids just say yes.
And now there Papay bermaian plop them jointly and severally with: Rifky and Adi on the zither, Dawn and Carer Karinding, Hani on dogdog, Imel on kecrek and keparak, Jung on guitar, as well as the singing Sultahn and Salma. Shown in front of about two hundred audience that afternoon, managed to open the performance Cekas Green Fes with the song "Dina Amparan Sajadah" and "Bubuy Month."
November 25, Friday, Rustic behind Part 4: Master Plan Recording Session
Karat is scheduled to record this day parts of the song "behind" in Studio Masterplan, Ujungberung. Studio is a bit much to have links with some of the pioneers Ujungberung Rebels, especially in the band Forgotten. Around the year 2005 or 2006 to 2008, Addy Gembel work for Toteng Masterplan and until now remained a permanent engineer at Masterplan, specifically to work on metal music.
Of schedule at 10 am, the tape begins at one end after Friday prayers. For the recording sessions this time there will Byan Uki and behind the desk and walk Karat mixer in filling the song. Three microphones used were Neumann Type U87A single and two AKG C451 condenser.
Recording begins by filling jointly and severally sawelasnya Papay, fitted at one o'clock. The concept is very simple structured Papay. He followed the track-Japanese taiko-drum in this song and fill in some parts of the strains of the song. The concept is quite colorful than the previous concept that it just follows the taiko. The part that is quite prominent in the middle session when the track changes to the color shades of Arabic. Papay to quickly complete the record.
At two o'clock, turn the record Kimung celempung ovary. The concept, he just plays games gong ovaries to underlie Papay and Hendra. so Kimung just beating the gong follow the snare drum which is arranged Peterpan. He was quickly completed the recording sessions.
Hendra's turn then to fill the child's zither session. In the previous recording session in the Common Room with Indra, the concept of child celempung Hendra Kimung stack up with the background pattern. kimung Hendra has called for rearranging pirigan celempungnya and indeed in the recording sessions this time he had changed some parts so as not to pile up the gong Kimung.hendra fill an entire song full-pirigan denganpirigan attractive, though still a lump. Stacking patterns in beberapbagian still noticeable, though not thick like the previous session. Hendra record celempung child quickly, only twenty minutes, starting at three.
Supposed to go after this is Karinding, but because JImbot appointment with Nick and Bill at STSI, so he asked first to enter the studio. Then at half past four in the afternoon, he began recording sulingnya.Adatiga flute arrangements that will be filled Jimbot. The first was a large flute or Saluang arrangement, the second small Sundanese flute, and the third flute. In this first session Saluang Jimbot fill first. The first session runs smoothly. Stepping on to the session to a two-flute arrangement of small Sunda-Jimbot started having trouble. Finally jamlimasore, Jimbot decided to break.
Okid soon enter the studio to record brass gong. He did not experience any difficulty because the pattern is well prepared with tiupnya gong. Some parts are transformed, especially in the sampling choir. Originally Okid play backdrop choir, at the request of Uki it merobahnya so participated together pounding choir. It feels more solid! Only a half hour recording session Okid brass gong "behind me.".
Karinding turn now to enter the recording booth. Since the war, Ariel kept saying if she was cold Karinding arrangements highlight in this song. He considered karindng arrangements have been made are still lacking and for that Vishnu - Ki Amenk has drawn up a new, more stable arrangements. Ki Amenk who first entered the booth was accompanied by Vishnu, at 18:55. He played Karinding Asep Nata-or towel-Karto and play very well. Some have it any part of the empty content with the new arrangements that underlie the notes "behind." Arrangement Amenk Ki is very strange and unprecedented pattern Karinding game like this before. However, as compiled together, Ki Amenk arrangements are full of tolerance, in the sense he gives plenty of room for dialogue with Vishnu Karinding game.
On the other hand, Vishnu uses Karinding tabeuh-or-Giri karta Kerenceng also fill in the Ki Amenk arranged very nicely. A variety of techniques on display here in the portion of the right-not too much, not too little. From engineering to technical depth wahwah Vishnu arranged neatly pirigan Karinding bersandingan with the usual play. Truly this is a duel Karinding arrangements are really cool! He started recording at 19:30 and finish at 20:45.
After Karinding finished recording, turn Jimbot now re-entered the recording flute and serunainya. Because it is hard to get a good pattern, Jimbot Uki finally asked that he be allowed to perform any kind of jam session silung live several times and later selected, sorted, which is best put in the tape. Uki Jimbot invited to play freely. Take four times, finally completing the game Jimbot flute and soon switched to flute. Flute part is relatively small. Toleat Padang is only stored in the third verse and the vocals on the Coda Arabic. Ten past five and a half hours Jimbot finally finished recording sessions tiupnya tool.
Adabeberapa thing that has not been completed at this session. The first is that Yuki has not filled this wadita Saluang, whereas the originally most like Ariel. Yuki himself has drawn up Saluang pattern, or replace a large pattern that has been distilled Sunda dimainakan Jimbot at the beginning of the recording session. The second is a recording session Karinding Man has not been done. Man this afternoon's leave to go to the Common Room Bandung preparatory meeting Death Fest V.
Byan itself so after the record-waditra waditra Karat, immediately clean up and balance the tapes and immediately dibounce to wav format to be heard together. He personally assess-waditra waditra played full enough, but if there are still some additions or changes, the next recording session will be conducted the day Wednesday, November 30, 2011.